Piano Sonata No. 4, Op. 128 Cover Image

Piano Sonata No. 4, Op. 128: Advanced Piano Book

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Piano Sonata No. 4, Op. 128 Cover Image

Piano Sonata No. 4, Op. 128: Advanced Piano Book

By Dianne Goolkasian Rahbee / ed. Diane Andersen, Helen Marlais

Item: 98-J1014

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Description
Extremely positive in nature has been said to describe the character of Piano Sonata No. 4 Op. 128.. The energy of this four-movement sonata is derived from its maestoso first movement---executed with feelings of happiness-and proceeded by its molto energico e presto second movement---performed with joy and excitement. The third movement, expressive and packed with emotion and rubato, guides the student into the fourth movement, titled Toccata, a work presented with boundless energy! This movement may also be performed as a separate piece.

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Additional Details
Series: The FJH Contemporary Keyboard Editions
Publisher: The FJH Music Company, Inc.
ISBN10: 1-56939-494-6
ISBN13: 978-1-56-939494-6
UPC: 674398218714
SKU: 98-J1014

More about this title

About the Composer: Dianne Goolkasian Rahbee

Dianne Goolkasian Rahbee is a composer whose contemporary works for piano demonstrate a gift for writing music that balances technical sophistication with direct emotional expression. Her compositions appear regularly in educational settings, where they serve both as performance vehicles for advancing pianists and as models of modern keyboard writing that honors the classical forms while embracing contemporary harmonic and structural language.

Rahbee's approach to sonata form reflects a deep understanding of how student composers and teachers think about structure. Her works challenge pianists to engage with multi-movement architecture, navigate contrasting moods and tempos, and sustain musical storytelling across extended forms.

Why we love this

This sonata delivers what many advanced students crave: a large-scale work that demands technical command without sacrificing structural logic or emotional coherence. The four-movement architecture progresses naturally from maestoso confidence to rapid virtuosity to introspection and finally to dazzling keyboard display, giving students a satisfying arc to learn and perform. The optional separation of the Toccata final movement also provides flexibility for program planning.

What to expect

From the opening maestoso declaration through the joyful whirlwind of the second movement, this sonata radiates optimism and forward motion. The expressive third movement offers respite and introspection before the final Toccata launches into unbridled keyboard brilliance, leaving both performer and listener exhilarated.

Who it's for

This sonata speaks to advanced pianists ready to take on the responsibilities of multi-movement form: managing contrast, sustaining long lines, and bringing interpretive maturity to contemporary harmonic language. Students preparing for upper-level exams, competitions, or graduation recitals will find both the technical challenge and the musical satisfaction this work demands.

How to get the most out of it

  • Establish the maestoso opening with unhurried authority; resist rushing despite the happiness you feel. The gravitational center of this movement sets the tone for what follows.
  • Approach the molto energico second movement as a study in articulation and finger clarity. Joy need not mean sloppiness; crisp definition will convey excitement more effectively than speed alone.
  • Shape the third movement's rubato generously. Mark your own breath points in the score and practice the expressive passages away from tempo before reintegrating them into the full form.
  • The Toccata demands rhythmic precision and evenness of touch across rapid figures. Practice hands separately until the technical patterns feel automatic, then unite them with the character of boundless energy rather than frenetic rushing.

How to use it

The complete sonata works beautifully as a recital centerpiece for an advanced student, offering audiences a full contemporary work with dramatic scope. Alternatively, program the Toccata finale separately as part of a mixed recital of keyboard character pieces, or use the entire sonata as a capstone study for students exploring how contemporary composers engage with classical forms.

Skills your students will build

  • Sustaining structural coherence across a four-movement sonata form
  • Executing maestoso character with weight and deliberation
  • Managing rapid passagework with clarity and control in energico sections
  • Shaping expressive lines with rubato and emotional nuance in slower movements
  • Rapid keyboard figuration and toccata-style virtuosity
  • Interpreting contemporary harmonic language within traditional forms

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