Piano Sonata No. 2 "Saltatio ad Lumen":

This sonata captures a rare moment of artistic reflection. Tüür's account of the work as a bridge between his past and present selves invites pianists into a deeply personal creative statement, not merely a technical exercise. The improvisational surface combined with rigorous underlying structure rewards repeated study and reveals new layers with each encounter.

The sonata moves with the quality of improvisation, gestures emerging and dissolving as if composed in real time. Yet beneath this fluid surface runs purposeful architecture; the music dances purposefully toward luminous moments rather than wandering aimlessly. Over fourteen minutes, Tüür creates a journey that feels both intimate and expansive.

Advanced pianists seeking substantive contemporary repertoire that demands both technical facility and interpretive maturity. This work suits concert recitals, contemporary music festivals, or programs that pair historical sonata forms with modern compositional thinking.

• Pay close attention to Tüür's vectorial principles at work: trace the directional momentum of phrases and harmonic progressions rather than treating passages as isolated moments.
• Balance the improvisatory quality against the underlying architecture. The music should sound spontaneous while maintaining clear structural integrity and forward direction.
• Allow time for score study before diving into tempo. Understanding the work's philosophical grounding helps inform interpretive choices about pacing and rubato.
• Engage with the title throughout preparation. The dance toward light functions as both metaphor and structural guide for how phrases build, shift, and resolve.

Program this as a centerpiece on a recital devoted to contemporary piano music, pairing it with works that share similar aesthetic concerns about spontaneity and structure. It also works powerfully on mixed historical programs where it can dialogue with earlier sonata traditions while representing the cutting edge of current composition.

• Sustaining momentum across extended formal structures while maintaining improvisational phrasing
• Reading and executing contemporary notational practices and compositional techniques
• Interpreting vectorial harmonic movement and directional musical logic
• Balancing technical precision with expressive freedom in contemporary contexts