Piano Sonata A major K331 (300i) Cover Image

Piano Sonata A major K331 (300i): Piano (Solo)

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Piano Sonata A major K331 (300i) Cover Image

Piano Sonata A major K331 (300i): Piano (Solo)

By Wolfgang Amadeus Mozart / ed. Klaus Burmeister

Item: 98-EP11506

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Description
New edition based on the recently-discovered partial autograph from Országos Széchényi Könyvtár Budapest. This new Urtext edition of Mozart's Piano Sonata in A major K331 (300i), with the famous final Rondo 'Alla turca', draws on a recently-discovered autograph source to create a version which has substantial differences - particularly in the six variations and the Menuetto - to earlier editions. In the preface, the editor, Klaus Burmeister, considers this new edition within the history (dating back to 1784) of printed editions of the sonata, particularly at Edition Peters. The editor also pays particularly attention to the specific use of articulation marks, as Mozart learned to use them from his father Leopold.

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 32
ISBN10: 0-01-412701-6
ISBN13: 979-0-0141-2701-5
SKU: 98-EP11506

More about this title

About the Composer: Wolfgang Amadeus Mozart

Wolfgang Amadeus Mozart (1756, 1791) composed this sonata in 1783 during a period of intensive keyboard writing, creating a work that bridges Classical form with expressive depth. His formal training under his father Leopold, a renowned violinist and pedagogue, shaped Mozart's meticulous approach to notation, articulation, and phrasing, values that resonate throughout his keyboard works.

Why we love this

This Urtext edition restores Mozart's actual intentions by consulting the newly-discovered partial autograph, giving you accuracy that earlier prints simply cannot offer. The variants in the variation set and Menuetto are musically substantial, making this version especially rewarding for advanced students and pianists who want to understand how source materials shape interpretation.

What to expect

The sonata opens with elegant simplicity, almost conversational in its grace, then unfolds through six ingenious variations that shift the melody's character while preserving its essential shape. The Menuetto offers courtly refinement before the Alla turca erupts with exotic color and rhythmic drive, evoking the 18th-century fascination with Ottoman musical style.

Who it's for

This edition serves advanced pianists and serious students who want to work from an authoritative text grounded in Mozart's own manuscript. Teachers preparing students for performance competitions or university auditions will appreciate having a source-based edition that reflects current scholarship.

How to get the most out of it

  • Study the articulation marks closely in the variations; Mozart's specific use of slurs, staccatos, and rests creates character that generic fingering guides often obscure.
  • Balance the famous Alla turca finale with clarity rather than speed. The Turkish-style rhythmic figures demand rhythmic precision and clean passagework over virtuosic display.
  • Allow the opening theme to breathe. The straightforward melody invites rubato in the repeats, especially as you move through the variations.
  • Pay attention to the editor's preface. Understanding the historical context and the differences from earlier editions will deepen your interpretive choices.

How to use it

Pair this with other Mozart keyboard works to trace his stylistic evolution, or program it as a complete recital piece for an intermediate-to-advanced student showcase. Its three distinct movements allow flexibility: the opening and variations can anchor a classical program, while the Alla turca finale works as a spirited closer.

Skills your students will build

  • Recognizing and executing Mozart's articulation vocabulary
  • Handling scalar passage work with rhythmic precision and clarity
  • Managing variation technique and maintaining thematic identity across six distinct versions
  • Reading and interpreting Urtext editions based on autograph sources
  • Coordinating hand independence in the Alla turca's hand-crossing and rhythmic patterns
  • Understanding period-style ornamentation and expressive flexibility

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