Piano for Two, Book 3 Cover Image

Piano for Two, Book 3: Late Elementary Piano Book

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Piano for Two, Book 3 Cover Image

Piano for Two, Book 3: Late Elementary Piano Book

Arranged by Carol Matz

Item: 98-FJH1147

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Description
The arrangements in this book incorporate the use of eighth-note and dotted-quarter note rhythms. Circled finger numbers signal change of hand position and the pedal markings are indicated in the secondo part.

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Additional Details
Series: The FJH Piano teaching Library
Publisher: The FJH Music Company, Inc.
ISBN10: 1-56939-045-2
ISBN13: 978-1-56-939045-0
UPC: 674398201907
SKU: 98-FJH1147

More about this title

About the Composer: Carol Matz

Carol Matz

Carol Matz brings the perspective of an active studio teacher to every piece she writes. Her catalog spans over 300 published works, and she has spent decades refining what actually works in the practice room and at the recital. She studied composition, arranging, and orchestration at the University of Miami, developing fluency across multiple ensembles from jazz big bands to string quartets.

Matz has shaped piano pedagogy on an international scale through teaching workshops in the United States, Canada, England, New Zealand, and Australia. Her Famous & Fun series, published by Alfred Music, has become a staple in studios everywhere. She has also contributed studio arrangements for recording artists in Miami, bringing commercial music sensibility to her educational work.

Why we love this

Matz understands the specific rhythmic challenges at this level and builds them in gradually through duet context, where students can rely on their partner's steadiness while learning eighth-note and dotted-quarter combinations. The circled finger numbers remove guesswork about hand position shifts, letting students focus on coordination rather than logistics. Duet books this well-crafted give late elementary students their first real experience of ensemble playing without the complications of heterogeneous group instrumentation.

What to expect

Accessible yet purposeful. These arrangements maintain the lightness and charm of early pieces while introducing rhythmic variety that makes the music feel less predictable. Playing the primo part, students discover they can handle eighth notes in musical context rather than drill.

Who it's for

Late elementary students ready to move beyond single-melody arrangements and explore rhythm patterns that mirror real repertoire. Teachers seeking duet material that builds technical confidence while keeping both players engaged musically rather than having one person play filler.

How to get the most out of it

  • Discuss hand position shifts during the duet run-through before full tempo. Mark them visually in student parts if needed, since the secondo player's circled numbers help the primo player anticipate their own transitions.
  • Start both parts slowly enough that the rhythmic figures feel comfortable rather than rushed. Dotted-quarter eighth patterns need space to breathe at this level.
  • Let the pedal work in the secondo part color the primo's melody. Have students listen to how the lower part supports harmonic depth even in simple duets.

How to use it

Ideal for studio recitals where late elementary students can perform together, or as preparation for students moving toward mid-elementary repertoire that uses these same rhythmic figures. A student can perform one arrangement as a solo debut and return to the duet version with a friend once they've gained confidence.

Skills your students will build

  • Reading and executing eighth-note rhythms in melodic context
  • Navigating dotted-quarter and eighth-note combinations
  • Adjusting hand position mid-piece using visual cues
  • Listening to and coordinating with a partner part
  • Understanding pedal use and its effect on harmonic color
  • Ensemble awareness at the earliest duet stage

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