Piano Concertos Nos. 1, 2 and 3 in Full Score Cover Image

Piano Concertos Nos. 1, 2 and 3 in Full Score: Full Orchestra Full Score

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Piano Concertos Nos. 1, 2 and 3 in Full Score Cover Image

Piano Concertos Nos. 1, 2 and 3 in Full Score: Full Orchestra Full Score

By Sergei Rachmaninoff

Item: 06-263509

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Rachmaninoff's first three piano concertos, reprinted from authoritative full-score Russian editions, are included here in one complete volume. Musicians and music lovers will find a convenient source from which to study intimately three of the most performed compositions in the concerto literature.

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Additional Details
Series: Dover Edition
Publisher: Dover Publications
ISBN10: 0-486-26350-9
ISBN13: 978-0-486-26350-2
UPC: 9780486263502
SKU: 06-263509

More about this title

About the Composer: Sergei Rachmaninoff

Sergei Rachmaninoff (1873, 1943) stands as one of the most technically demanding and emotionally direct composers in the concerto repertoire. His three early piano concertos, written between 1891 and 1909, showcase his gift for sweeping melodic lines, rich harmonic language, and virtuosic orchestration that demands precision from every section.

As both composer and concert pianist, Rachmaninoff understood the instrument intimately, creating works that balance formidable technical challenges with genuine lyricism. His approach to the concerto form influenced generations of composers and remains central to the standard repertoire, studied by conductors and orchestras worldwide.

Why we love this

Having all three concertos in one authoritative full score eliminates the hunt across multiple editions and ensures your entire orchestra works from consistent orchestration. Rachmaninoff's writing rewards careful score study; the interplay between soloist and orchestra is intricate enough to reveal new details with each reading, making these works continually engaging for musicians who already know them.

What to expect

These concertos radiate Romantic lushness and dramatic intensity. The first and third concertos in particular command a grand, almost operatic scale, with sweeping orchestral passages that frame the soloist's virtuosic flights. The second concerto, perhaps the most frequently performed, balances technical brilliance with melancholic introspection, creating an emotional arc that moves from darkness toward tentative light.

Who it's for

Conductors preparing performances of any of Rachmaninoff's first three concertos will value having a single, dependable Russian-edition score that reflects the composer's original intentions. This volume serves professional orchestras, university ensembles with strong piano soloists, and serious musicians engaged in score study or historical research.

How to get the most out of it

  • Study the balance between piano and strings in passages where the soloist carries the primary melodic line; the orchestra must support without overwhelming, particularly in the more intimate moments of the slow movements.
  • Mark all tempo relationships clearly in advance. Rachmaninoff's concertos often shift between marked tempos, and rhythmic precision from the conductor ensures the soloist never feels unsupported.
  • Pay special attention to the brass and timpani entries, which can easily overpower the texture if not controlled with deliberate restraint. These instruments punctuate and underpin rather than dominate.
  • Rehearse the more exposed orchestral passages separately. Certain woodwind solos and string figures are easily lost in full ensemble; they deserve clarity and confidence.

How to use it

Any of these works anchors a full orchestral concert and deserves a solo artist of distinction. Pair them strategically with earlier or later 20th-century repertoire to highlight Rachmaninoff's bridge between late Romanticism and modernist sensibilities. These are also ideal vehicles for showcasing an emerging piano talent from your community or university.

Skills your students will build

  • Reading complex divisi passages in strings and sustained harmonic structures across multiple instrumental families
  • Balancing an exposed solo instrument against full orchestral texture without sacrificing ensemble cohesion
  • Responding to rubato and expressive timing cues from a chamber music partner while maintaining rhythmic integrity
  • Interpreting Russian notation and orchestration conventions from authoritative source editions
  • Executing rapid figurations and technically demanding passagework with rhythmic precision across the entire ensemble

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