Petite Suite Gauloise, Op. 90 Cover Image

Petite Suite Gauloise, Op. 90: Woodwind Duo & Ensemble, Nonet Conductor's Score

$20.00 USD
$20.00 USD
Skip to product information
Petite Suite Gauloise, Op. 90 Cover Image
Petite Suite Gauloise, Op. 90: Woodwind Duo & Ensemble, Nonet Conductor's Score

Petite Suite Gauloise, Op. 90: Woodwind Duo & Ensemble, Nonet Conductor's Score

By Theodore Gouvy

Item: 36-A391402
$20.00
Shipped

One moment…

Related Items

Petite Suite Gauloise, Op. 90: Woodwind Duo & Ensemble, Nonet Conductor's Score

$15.00
View
Description
Louis Théodore Gouvy (1819-1898) was a French/German composer of the Romantic era. Though raised in a French-speaking household, due to his preference for instrumental music rather than opera, he spent the latter part of his life in Germany where he felt more appreciated. He wrote twenty-four orchestral works, including nine symphonies, and a significant number of chamber works, including several for wind ensembles. Despite being held in high regard by numerous master composers of his time such as Adam, Brahms, Berlioz, Reinecke, and Joachim, Gouvy's music had fallen into some obscurity until it was rediscovered in the late 20th century. PETTITE SUITE GAULOISE, Op. 90, among the many chamber works for which he was so celebrated in his time, is a wind nonet (1.2.2.2: 2.0.0.0) in four movements.

Petite Suite Gauloise, Op. 90: Woodwind Duo & Ensemble, Nonet Conductor's Score isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Request This Title

Tell us you want it.

Start Your Free Trial

Explore everything that's ready to play right now.
Sample Pages

No sample pages found.
Sample Audio
No sample audio found.
Sample Video
No sample videos found.
Additional Details
Series: Kalmus Wind Library
Publisher: Keiser Productions, Inc.
UPC: 735816150365
SKU: 36-A391402
Instrumentation: Woodwind Duo & Ensemble, Nonet

More about this title

About the Composer: Theodore Gouvy

Theodore Gouvy (1819, 1898) was a prolific Romantic composer whose instrumental works earned him respect from some of the era's most demanding musicians: Brahms, Berlioz, and Joachim all held his music in high regard. Yet despite writing nine symphonies, twenty-four orchestral works, and numerous chamber pieces, Gouvy's name largely disappeared from concert programs after his death, a casualty of shifting tastes and nationalist rivalries in music publishing.

Raised French but creatively restless in Paris, Gouvy found his true home in Germany, where audiences and colleagues valued his gift for elegant orchestration and formal clarity. His wind works, in particular, showcase a composer who understood ensemble writing intimately. The rediscovery of his music in the late twentieth century revealed what his contemporaries already knew: here was a craftsman of genuine refinement.

Why we love this

Gouvy's nonet writing balances sophistication with accessibility in a way that rarely feels condescending. The four-movement architecture gives students a complete musical experience without the complexity of a full orchestra, and the wind nonet instrumentation (two oboes, two clarinets, two horns, two bassoons, and a single French horn for harmonic anchor) sits comfortably in most school wind programs. Conductors appreciate how thoroughly the score reveals the composer's voice across all parts.

What to expect

Refined and unhurried, with the transparency of a chamber work even at full nonet strength. Gouvy's orchestration creates pools of warm color: woodwind choirs answer horn sonorities in an almost conversational manner, and the slow movement offers the kind of sustained lyricism that reminds players why wind writing can sound as singing as any vocal line.

Who it's for

Advanced high school and college wind ensembles seeking substantial chamber repertoire that challenges without overwhelming. Conductors building a program that values Romantic-era craftsmanship and careful orchestration will find a genuinely mature work that develops musicians' ears for harmonic color and ensemble blend.

How to get the most out of it

  • Shape the opening phrase with attention to the natural curve of wind phrasing; let the strings sing but keep ensemble clarity paramount across the sustained chorale passages.
  • Balance the woodwind soloists against the horn foundation by keeping reed tone centered and even rather than vibrato-heavy, which muddles the harmonic progression.
  • Treat the faster movements as conversation rather than display, bringing out inner voices where Gouvy has written them rather than letting top voices dominate by default.
  • Mark a clear architectural point between movements; this work rewards stillness and reset rather than attacca transitions.

How to use it

Position this as a centerpiece for a concert focused on nineteenth-century wind repertoire, pairing it with a more familiar contemporary work to frame Gouvy's craftsmanship in context. It also serves beautifully as the anchor for a chamber concert or as a sophisticated opener for a full ensemble concert, establishing an immediate tone of musical seriousness without demanding dramatic spectacle.

Skills your students will build

  • Sustaining long phrases on wind instruments without wavering pitch or tone quality
  • Balance and blend within a nonet texture, particularly managing dynamic relationships between reeds and brasses
  • Reading a full conductor's score and extracting individual voice priorities
  • Understanding harmonic progression through orchestral color rather than chord symbol
  • Responding to subtle architectural gestures across a multi-movement work
  • Intonation stability in sustained passages and complex harmonic environments

You May Also Like