Peter Gunn: String Orchestra Conductor Score & Parts
By Henry Mancini / Arranged by Stephen Bulla
Grade: 3-4
Item: 35-PK00192719
$50.00
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Peter Gunn - Full Score | $6.00 | |
| Peter Gunn - Violin 1 | $7.00 | |
| Peter Gunn - Violin 2 | $7.00 | |
| Peter Gunn - Violin 3 (Viola Treble Clef) | $7.00 | |
| Peter Gunn - Viola | $7.00 | |
| Peter Gunn - Cello | $7.00 | |
| Peter Gunn - Bass | $7.00 | |
| Peter Gunn - Piano | $7.00 | |
| Peter Gunn - Percussion | $7.00 | |
| Peter Gunn - Timpani | $7.00 |
Parts Added to Cart!
Description
Instantly recognized as a Mancini icon, Peter Gunn has all the elements for guaranteed audience enjoyment. An insistent bass and piano line, bluesy, brassy licks, one-chord harmony, and space for soloists to stretch out a bit (written ad lib-style solo provided). Now your string orchestra can be a big swing machine! Dur: 2:30
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Additional Details
Publisher:
Hal Leonard
SKU:
35-PK00192719
More about this title
About the Composer: Henry Mancini
Henry Mancini (1924-1994) shaped popular music and film scoring across five decades, winning four Academy Awards and eighteen Grammy Awards. His gift for melody and orchestration made him one of the most recorded composers in history, and his work remains instantly recognizable to audiences of all ages.
Why we love this
Stephen Bulla's arrangement captures the swagger of the original without requiring your players to double on winds or percussion. The written ad lib solo section gives strong players a genuine moment to improvise while the rest of the ensemble locks into that irresistible groove, which means everyone gets something rewarding to do.
What to expect
Cool and propulsive. The insistent pulse and one-chord harmony create momentum that feels inevitable, while the bluesy inflections add sophistication beyond typical string repertoire. There's an easy confidence to this arrangement that audiences recognize immediately.
Who it's for
String orchestras at grades 3 and 4 who want to perform something genuinely fun without breaking into a smile on stage. Directors seeking a two-and-a-half-minute crowd pleaser that also builds rhythmic confidence and jazz sensibility.
How to get the most out of it
- Lock the bass and piano line into a pocket before layering in the upper strings. This foundation makes the bluesy licks land harder and keeps the arrangement from losing its propulsive energy.
- Give your soloist clear guidelines about where they can depart from the written ad lib section. Even a few rehearsals of conversation between the solo voice and rhythm section will transform the passage from a feature into a genuine interactive moment.
- Balance the brassy character of the melody against the swagger of the accompaniment. These elements should feel equally present so neither overwhelms the other during performance.
How to use it
Pair this with your standard classical fare to show audiences that strings belong in jazz contexts too. The compact duration makes it ideal for pops concerts or programs where you want an energetic closer that leaves listeners grinning.
Skills your students will build
- Interpreting jazz articulation and inflection
- Maintaining steady pulse while responding to rhythmic syncopation
- Balancing melodic and rhythmic roles within a single section
- Following ad lib solo sections with flexibility and responsiveness
- Translating written jazz notation into authentic sound