Peroxide Swing: SATB Choral Octavo

Steve Zegree's arrangement captures the sophisticated swing feel of Bublé's version while making it genuinely singable for mixed voices. The chart swings without being overly complex, and it carries enough musical personality to engage singers who might otherwise dismiss a pop arrangement.

Slick and urbane without pretension. The arrangement has that late-night supper club warmth that defines Bublé's style, with enough harmonic color to reward careful listening while remaining immediately enjoyable.

Intermediate to advanced high school and college choirs comfortable with swing idioms and looking to program contemporary pop with jazz sensibilities. It works equally well for community choirs seeking accessible but sophisticated repertoire.

• Keep the swing eighth-note feel elastic but grounded; the rhythm section anchor matters more here than in straight-eighths pop songs.
• Balance the melody line across your sopranos and tenors since the arrangement likely features voice pairing rather than unison.
• Let the harmonies breathe during sustained chords; closed vowels on 'oo' and 'oh' sounds will sell the smoky, classic feel.

Pair this with other swing-influenced standards or modern jazz charts to create a thematic set that showcases your singers' ability to handle rhythmic sophistication. It also works as a crowd-pleasing concert closer that bridges classical training and contemporary repertoire.

• Singing in swing eighth-note feel with rhythmic precision
• Balancing pop and jazz harmony with choral blend
• Stylistic interpretation of contemporary arrangements
• Ensemble coordination across multiple moving parts in a jazz context