Pepperoni Pizza Rock Cover Image

Pepperoni Pizza Rock: String Orchestra Conductor Score

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Pepperoni Pizza Rock Cover Image

Pepperoni Pizza Rock: String Orchestra Conductor Score

By Brian Balmages

Grade: 1

Item: 98-ST6281S

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Description
Based on a mnemonic device where students learn eighth and quarter notes using the words "pepperoni pizza," this high-energy rock tune includes an optional drum set part along with an easy solo section where students can explore basic improvisation. All students are provided with guide notes in an open solo section, or you can bring in a guest soloist on an instrument of your choice to bring down the house. Highly entertaining! *Recorded with Cathy Morris on electric violin.

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Additional Details
Series: FJH Beginning Strings
Publisher: The FJH Music Company, Inc.
UPC: 241444567760
SKU: 98-ST6281S

More about this title

About the Composer: Brian Balmages

Brian Balmages

Brian Balmages has established himself as a versatile composer and conductor with credits across orchestral, band, and chamber repertoire. His work has been performed on stages ranging from elementary school gymnasiums to Carnegie Hall, the Kennedy Center, and the Sydney Opera House, earning him an A. Austin Harding Award from the American School Band Directors Association and a 2020 NBA William D. Revelli Composition Contest win.

Beyond composition, Balmages maintains an active guest conducting schedule with all-state ensembles, university orchestras, and professional groups worldwide. He holds the Distinguished Alumni Award from James Madison University's School of Visual and Performing Arts and currently serves as Director of MakeMusic Publications and Digital Education for Alfred and MakeMusic.

Why we love this

The "pepperoni pizza" rhythmic mnemonic transforms what could be a dry notation lesson into something students actually remember and enjoy. Balmages builds in enough musical substance around this gimmick that the piece works as genuine entertainment, not just pedagogy, while the improvisation section lets beginners taste real musicmaking without overwhelming them.

What to expect

A infectious, wink-at-the-audience rock number that bounces with the kind of irreverent energy kids recognize and respond to. The electric violin recording doesn't try to hide its rock credentials, and the whole piece radiates playfulness without sacrificing musical substance.

Who it's for

Beginning string orchestras in grades 1-2 who benefit from humor and novelty as teaching tools. This works equally well as a concert closer or a mid-year morale booster when students need a break from more traditional material.

How to get the most out of it

  • Establish the mnemonic clearly at the first rehearsal so students hear the rhythm in the words before they see it on the page; this earns buy-in and makes the whole concept stick.
  • If you're bringing in a guest soloist for the open solo section, rehearse the ensemble's accompaniment separately first so they can respond confidently to whatever phrasing the soloist brings.
  • The recorded version with electric violin gives you a performance reference, but don't feel bound by it. The rock groove stays tight even with acoustic strings if your ensemble prefers that color.
  • Use the optional drum set part strategically. Even if you assign it to a developing drummer, the groove becomes instantly more present and the students will feel the energy lift.

How to use it

Slot this as your spring concert closer or end-of-year finale to send families home smiling and remind students that learning notation can be fun. The novelty factor and improvisation section also make it a strong choice for a winter holiday or special event program where you want to show off rhythm skills in a context that doesn't feel academic.

Skills your students will build

  • Distinguishing eighth notes from quarter notes through rhythmic mnemonic association
  • Maintaining rhythmic precision in a rock style accompaniment
  • Participating in guided improvisation with a safety net of provided note choices
  • Reading and responding to a drum set part in an orchestral context
  • Building confidence as soloists in a supportive ensemble setting

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