People Loving People Sheet Music Preview

People Loving People: Piano/Vocal/Chords

21 Current Hits

Item: 00-PS-0015876

Digital Download
$5.99
Description
Containing the year's most memorable songs, this collection features piano accompaniment, vocal melodies, lyrics, and guitar chord diagrams. Titles: All About That Bass (Meghan Trainor) * Alone Yet Not Alone (from Alone Yet Not Alone) * Best Day of My Life (American Authors) * Can You Hear Your Heart? (from Winter's Tale) * Clouds (Zach Sobiech) * Coming Up Roses (from Begin Again) * Compass (Rascal Flatts) * Cool Kids (Echosmith) * Everything Is Awesome (from The LEGO® Movie) * Dangerous (Big Data) * Doin' What She Likes (Blake Shelton) * Everything I Didn't Say (5 Seconds of Summer) * Fireball (Pitbull) * I See Fire (from The Hobbit: The Desolation of Smaug) * Godzilla! (Main Title Theme) (from Godzilla) * Let It Go (from Walt Disney's Frozen) * Up All Night (John Pardi) * People Loving People (Garth Brooks) * Rainbow (Robert Plant) * Something in the Water (Carrie Underwood) * Words as Weapons (Seether).

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Additional Details
Series: Greatest Hits
Publisher: Alfred Music
Page Count: 160
SKU: 00-PS-0015876

More about this title

Why we love this

This collection spans a genuine range of contemporary styles, from pop to rock to country, giving vocalists and pianists real variety within one book. The song selection pulls from film soundtracks, radio hits, and artist-specific catalogs, so you're getting both standalone pop moments and repertoire with cinematic weight. Having guitar chords printed alongside the piano part means accompanists with different instrumental skills can all engage with the same material.

What to expect

Energetic, eclectic, and rooted in recent popular culture. You move from the swagger of hip-hop influenced pop to the soaring release of animated film ballads to the intimate storytelling of country-influenced crossovers. Each song carries the production DNA of its original recording while remaining singable in a live, acoustic-focused setting.

Who it's for

Vocalists preparing solo recitals or cabaret-style events, pianists accompanying singers in lessons or performances, and classroom teachers building repertoire lists for contemporary song study. The mix of pop, rock, and film music makes it accessible to singers of intermediate skill and above who want to perform material their audiences actually know.

How to get the most out of it

  • Balance the vocal line against the piano accompaniment by listening for moments where the harmony thickens; pull back slightly on dynamics to keep the melody in focus during these passages.
  • When guitar chords are present, use them as a guide for voicing choices in the piano part; if your pianist doesn't read chords, work together to identify where the harmonic rhythm shifts so transitions feel intentional rather than abrupt.
  • Connect emotionally to the lyrical content before rehearsing the technical details; songs like 'Clouds' and 'Alone Yet Not Alone' carry weight that gets lost if you approach them purely as exercises in technique.
  • Pay close attention to stylistic markers in the accompaniment patterns; pop rhythms (like 'All About That Bass' and 'Fireball') need precision in the groove, while film songs may ask for more legato phrasing.

How to use it

Slot individual songs into mixed recitals to anchor contemporary moments alongside classical or art song selections. Use the film soundtrack titles ('Let It Go,' 'I See Fire,' 'Everything Is Awesome') as bridges between purely classical programming and popular music repertoire, especially in educational settings where you're introducing students to song interpretation across genres. The 160-page format makes it ideal for students building their first real performance portfolio.

Skills your students will build

  • Reading and singing across contemporary pop and rock idioms
  • Interpreting piano accompaniments written in modern production styles (syncopated rhythms, electronic textures translated to acoustic piano)
  • Coordinating vocal phrasing with guitar chord changes and harmonic rhythm
  • Balancing lyrical storytelling with musical structure in commercial song repertoire
  • Transposing and adapting songs to fit individual vocal ranges using chord charts

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