Pelleas et Melisande: Sicilienne, Op. 78 Cover Image

Pelleas et Melisande: Sicilienne, Op. 78: Full Orchestra, Solo Woodwind(s) with Ensemble, Solo Flute Part

$3.00 USD

Pelleas et Melisande: Sicilienne, Op. 78: Full Orchestra, Solo Woodwind(s) with Ensemble, Solo Flute Part

Name: Pelleas et Melisande: Sicilienne, Op. 78: Full Orchestra, Solo Woodwind(s) with Ensemble, Solo Flute Part
Brand: Alfred Music
SKU: 36-A697048
Price: 3.00 USD
Availability: InStock

By Gabriel-Urbain Fauré, arr. Yoav Talmi

Item: 36-A697048

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Gabriel Fauré (1845-1924) originally composed the short SICILIENNE, Op. 78 in 1893 as an orchestral written for an abandoned theatrical production. In 1898, Fauré arranged the unperformed music both for cello and piano and as part of the incidental music for Pelléas et Mélisande, a play by Maurice Maeterlinck, orchestrated for theater orchestra. The final iteration was its inclusion in a full orchestra suite of the incidental music arranged by Faure, which was published in 1909. The incidental music premiered on June 21, 1898, in London at the Prince of Wales Theatre, Gabriel Fauré, conductor. This edition of the SICILIENNE was transcribed by Yoav Talmi. Instrumentation: 0.0.1.0: 0.0.0.0: Hp: Str (8-8-5-5-5 in set): Solo Flute in set.

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Series: Kalmus Orchestra Library

Publisher: Keiser Productions, Inc.

ISBN10: 8-89-563106-4

ISBN13: 979-8-89-563106-5

UPC: 659859269931

SKU: 36-A697048

Instrumentation: 0.0.1.0: 0.0.0.0: Hp: Str (8-8-5-5-5 in set): Solo Flute in set

More about this title

About the Composer: Gabriel-Urbain Faure

Gabriel Fauré (1845–1924) shaped French music through his gift for lyrical melody and harmonic innovation. His career spanned the transition from Romanticism into modernism, yet he remained rooted in elegant simplicity and restraint. Fauré held the position of director at the Paris Conservatoire from 1905 until his retirement, profoundly influencing the next generation of French composers through both his teaching and his prolific output of chamber music, songs, and orchestral works.

The Sicilienne emerged during Fauré's most productive period, when he was composing incidental music and chamber works that would define his legacy. His skill at orchestration and his ability to sustain emotional depth through restrained gesture make his instrumental music enduringly valuable in concert and educational settings.

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Why we love this

Fauré's Sicilienne distills sophistication into an accessible, elegant orchestral texture that works beautifully at this instrumentation level. The piece rewards sensitive ensemble listening without demanding technical virtuosity from every stand, making it an ideal choice for orchestras building cohesion and musical maturity. Its theatrical heritage and refined harmonic language offer students a gateway into fin-de-siècle French orchestration.

What to expect

The Sicilienne unfolds as a gentle, dancing reverie suffused with the harmonic warmth and impressionistic coloring that defines Fauré's style. The flute melody floats above harp ripples and sustained string chords, evoking the theatrical elegance of late 19th-century salon music with a Provençal lilt.

Who it's for

This work suits intermediate to advanced high school orchestras and collegiate ensembles seeking repertoire that develops ensemble balance and tasteful, lyrical conducting. The reduced instrumentation (no brass or woodwind reeds) creates an accessible entry point into French orchestral literature without sacrificing musical substance.

How to get the most out of it

Balance the solo flute line against the sustained string harmonies; the flute should sing through without forcing volume.
Shape the harp accompaniment with clarity and restraint, allowing it to shimmer without overwhelming the texture.
Approach the overall tempo with unhurried pacing that emphasizes the piece's Sicilian dance character without rushing the melody.
Listen carefully for ensemble alignment in the string parts, as Fauré's writing often places gentle syncopations that require rhythmic cohesion.

How to use it

Program this as a refined transition piece between larger works, or pair it with other French chamber orchestral repertoire from the same era. Its modest length and focused instrumentation make it ideal for a chamber concert series or as a study piece in a season emphasizing orchestration and style.