Peer Gynt: Two Pieces for Saxophone or Clarinet and Piano Cover Image

Peer Gynt: Two Pieces for Saxophone or Clarinet and Piano: Tenor Saxophone, Solo with Piano, Solo and Piano

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Peer Gynt: Two Pieces for Saxophone or Clarinet and Piano Cover Image

Peer Gynt: Two Pieces for Saxophone or Clarinet and Piano: Tenor Saxophone, Solo with Piano, Solo and Piano

By Edvard Grieg, arr. J. Michael Leonard

Item: 36-M215991

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Description
This arrangement by J. Michael Leonard of two pieces from Grieg's PEER GYNT can be played by clarinet, soprano saxophone, or tenor saxophone with piano accompaniment. Included: I. Anitra's Dance; II. Solveig's Song.

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Additional Details
Series: Master Woodwind Series - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-563722-4
ISBN13: 979-8-89-563722-7
UPC: 660355168802
SKU: 36-M215991
Instrumentation: Clarinet or Soprano Saxophone or Tenor Saxophone and Piano

More about this title

About the Composer: Edvard Grieg

Edvard Grieg (1843-1907) was a Norwegian composer who fundamentally shaped the Romantic era's approach to national identity in classical music. His works drew deeply from Norwegian folk traditions, harmonic innovations, and lyrical sensibility, establishing him as a central figure in music education worldwide.

Grieg's Peer Gynt suite remains a cornerstone of orchestral and chamber repertoire. Originally composed as incidental music for Henrik Ibsen's play, these two pieces showcase his gift for melody and orchestration, making them accessible entry points for students encountering Romantic-era compositional technique.

Why we love this

These two movements capture contrasting sides of Grieg's melodic genius in a format that honors both the solo voice and the accompanying instrument. Anitra's Dance sparkles with rhythmic vitality and exotic coloring, while Solveig's Song offers the kind of sustained, lyrical writing that allows students to develop phrasing and emotional communication. The arrangement respects the original orchestrations without feeling cramped on a piano.

What to expect

Anitra's Dance radiates playful exoticism with dance-like rhythms and a sense of movement through space. Solveig's Song settles into introspective lyricism, evoking longing and tenderness through Grieg's gift for memorable, singable melody that feels both intimate and deeply resonant.

Who it's for

Intermediate to advanced high school soloists and college students seeking authentic Romantic-era repertoire with strong melodic content. This works equally well for clarinet and saxophone players, making it a flexible choice for solo competitions, recitals, or concert showcases.

How to get the most out of it

  • Shape Anitra's Dance with clear articulation on the rhythmic figures, but let the longer phrases breathe naturally rather than rushing through the momentum.
  • Balance the texture in Solveig's Song by letting the piano's harmonic foundation support rather than overshadow the soloist's line.
  • Attend to the key relationships between movements; the transition from D major to F-sharp minor signals a genuine shift in character worth acknowledging in your interpretation.
  • Record yourself with the piano accompaniment to check intonation and ensemble precision, especially in the faster passages of the first movement.

How to use it

Pair these two movements on a recital to demonstrate interpretive range within a single composer's voice, or perform them in a concert celebrating Scandinavian music. The contrasting moods also make them effective as an opening pair for a longer solo recital, establishing both technical command and musical maturity.

Skills your students will build

  • Sustaining long lyrical phrases with consistent tone and breath control
  • Executing rhythmic precision in moderately fast dance figures
  • Balancing solo presence against piano accompaniment
  • Interpreting harmonic color changes and tonal shifts within a Romantic context
  • Maintaining ensemble cohesion with an accompanying pianist across multiple movements

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