Peer Gynt: Incidental Music Suite, Set 2 for String Orchestra Cover Image

Peer Gynt: Incidental Music Suite, Set 2 for String Orchestra: String Orchestra, Score and Parts

$55.00 USD
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Peer Gynt: Incidental Music Suite, Set 2 for String Orchestra Cover Image

Peer Gynt: Incidental Music Suite, Set 2 for String Orchestra: String Orchestra, Score and Parts

By Edvard Grieg, transcr. Steven Rosenhaus

Grade: 4

Item: 36-M800890

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Description
This set of Grieg's masterpieces includes Morning Mood, Peer Gynt's Serenade, Äse's Death, and Dance of the Mountain King's Daughter. The StringMasters Series, based on the success of the Concertmasters Series, is a collection of full orchestra music carefully transcribed for string orchestras. This great literature has been arranged by master orchestrators and tested on string orchestras for years before its release!

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Additional Details
Series: StringMasters - LudwigMasters
Publisher: Keiser Productions, Inc.
UPC: 654690546708
SKU: 36-M800890
Instrumentation: String Orchestra

More about this title

About the Composer: Edvard Grieg

Edvard Grieg (1843-1907) shaped Scandinavian musical identity through his unflinching commitment to Norwegian folk idiom and harmonic innovation. His incidental music for Henrik Ibsen's Peer Gynt stands as one of the most performed and beloved works in the orchestral repertoire, demonstrating his gift for capturing narrative drama through instrumental color and melody.

Greig's orchestrations prioritize clarity and accessibility without sacrificing sophistication. His string writing remains idiomatic and grateful to play, making his work a natural choice for string orchestras seeking repertoire with genuine artistic substance and immediate audience appeal.

Why we love this

Grieg's Peer Gynt movements are narrative music at its finest: each piece tells a story so vivid that audiences connect instantly, yet the orchestration rewards close musical listening. This arrangement preserves the harmonic language and character that makes these movements endure across generations while fitting the technical and expressive reach of a strong Grade 4 ensemble. Programming these four movements gives your orchestra a full dramatic arc in a single suite, and they're recognizable enough to build genuine audience engagement.

What to expect

These movements evoke mountain landscapes, intimate character moments, and wild celebration. Morning Mood opens with bright, almost pastoral optimism; Äse's Death unfolds as tenderness mixed with resignation; the Mountain King's Daughter dances in bold, syncopated energy. Grieg's string writing feels natural in the hand, and the harmonic language, while romantic in scope, never overwhelms young players.

Who it's for

String orchestras at Grade 4 level seeking substantial repertoire with proven audience appeal and genuine artistic merit. Directors programming a concert that needs thematic coherence, students encountering Grieg's orchestration firsthand, and ensembles wanting to build confidence with music from the standard orchestral canon.

How to get the most out of it

  • Anchor the opening of Morning Mood in a warm, singing tone from the first violins. This melody carries the entire movement, and clarity from your lead section sets the foundation for ensemble unity across all parts.
  • Bring out the Norwegian folk character in Dance of the Mountain King's Daughter through rhythmic precision rather than speed. Grieg's syncopations and meter shifts define the wildness; let them speak clearly before adding energy.
  • Balance the melodic line in Äse's Death with sensitive inner-voice support. The viola and second violin parts carry harmonic weight that shapes the emotional depth of this movement.
  • Release the final cadences with intention. Grieg's endings in this suite feel complete and inevitable when attacks and releases are unified across the full string section.

How to use it

Perform this suite as a standalone segment, or program individual movements across different concerts to showcase different facets of your orchestra's musicianship. The suite works equally well as a season opener (Morning Mood sets an excellent tone) or as a second-half anchor that demonstrates technical growth. These are recognizable pieces that help audiences understand what string orchestras can do with familiar literature.

Skills your students will build

  • Idiomatic string writing across all registers (bowing clarity in fast passages, sustained tone in legit sections)
  • Ensemble balance with independent melodic lines in multiple voices
  • Harmonic awareness through Grieg's chromatic voice-leading and folk-influenced harmonic shifts
  • Narrative phrasing and character portrayal across contrasting movements
  • Precise rhythmic coordination in syncopated and dance-like passages

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