Pecheurs de Perles, Les (The Pearl Fishers; Complete) Cover Image

Pecheurs de Perles, Les (The Pearl Fishers; Complete): Serious Opera, Orchestra Accompaniment, S/A Choral Part

$2.00 USD
Sale price  $2.00 USD Regular price 
Skip to product information
Pecheurs de Perles, Les (The Pearl Fishers; Complete) Cover Image

Pecheurs de Perles, Les (The Pearl Fishers; Complete): Serious Opera, Orchestra Accompaniment, S/A Choral Part

By Georges Bizet/ Libretto by Eugène Cormon and Michel Carré

Item: 36-A229097

$2.00
Shipped

One moment…

Description
Because he had formerly won the Prix de Rome prize in composition, George Bizet (1838-1875) had the opportunity to write his opera LES PECHEURS DE PERLES (THE PEARL FISHERS) on commission. With a libretto written by Eugène Cormon and Michel Carré, it received its premiere in Paris at the Theatre Lyrique on September 30, 1863. It ran for eighteen performances, then was not performed again until after the composer's passing. Instrumentation: 2(1st/2nd dPicc)+1(Picc).2(2nd dEH).2.2: 4.0+2(Crnt).3.1: Timp.Perc(4-5): Hp(2): Str (4.4.3.3.3 in set): Banda (2Picc.2Perc.Harp): Vocal Soli (4 roles STBB): Chorus. Reprint edition.

Pecheurs de Perles, Les (The Pearl Fishers; Complete): Serious Opera, Orchestra Accompaniment, S/A Choral Part isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Kalmus Opera Library
Publisher: Keiser Productions, Inc.
UPC: 0
SKU: 36-A229097
Instrumentation: 2(1st/2nd dPicc)+1(Picc).2(2nd dEH).2.2: 4.0+2(Crnt).3.1: Timp.Perc(4-5): Hp(2): Str (4.4.3.3.3 in set): Banda (2Picc.2Perc.Harp): Vocal Soli (4 roles STBB): Chorus

More about this title

About the Composer: Georges Bizet

Georges Bizet (1838-1875) won the Prix de Rome in 1857, a distinction that granted him the opportunity to compose ambitious works on commission. Though he lived only 36 years, his output ranged across operas, orchestral music, and vocal works, and he maintained rigorous standards for both orchestration and dramatic truth. His early death left many projects incomplete, yet his influence on French opera and instrumental writing proved enduring.

Why we love this

Les Pêcheurs de Perles offers a complete serious opera with lush orchestration and a full dramatic arc, making it an excellent choice for opera-focused programs and advanced singers. The work showcases Bizet's command of orchestral color and vocal writing before his later masterpiece Carmen, and the reprint edition makes a historically significant score accessible to contemporary ensembles.

What to expect

The score breathes with the warmth and romance of 1860s French grand opera, blending exotic local color with intimate vocal moments and sweeping ensemble passages. Bizet's orchestration moves fluidly between intimate and expansive, creating a sense of dramatic momentum that pulls listeners through the narrative of love and duty in a pearl-fishing village.

Who it's for

This complete orchestral score serves opera companies, university opera programs, and advanced choral ensembles working with vocal soloists and full orchestras. It is designed for conductors and music directors who have access to professional or near-professional singers and a reasonably sized orchestra.

How to get the most out of it

  • Balance the soprano and alto choral parts clearly against the orchestra; the scoring is rich and can easily obscure the chorus if entrances aren't precisely coordinated.
  • Use the harp parts to establish harmonic warmth in lyrical passages; Bizet writes idiomatically for the instrument and its resonance anchors the orchestral texture.
  • Shape the four solo vocal roles (soprano, alto, tenor, baritone) with distinct characterization; even passages shared with the chorus benefit from clear individual voices.
  • Pay attention to the banda (supplementary ensemble with piccolo, percussion, and harp) cues; these reinforce the theatrical setting and should sit slightly forward in the stereo image during performance.

How to use it

Program this as a centerpiece for a full opera gala or as the anchor of a season dedicated to 19th-century French opera. It pairs well with shorter operatic works or concert versions of excerpts from other Bizet compositions when a complete performance is not feasible.

Skills your students will build

  • Reading and conducting complex orchestral textures with multiple wind and percussion lines
  • Balancing vocal soloists and chorus within a full operatic orchestration
  • Interpreting Romantic-era French opera style and phrasing conventions
  • Coordinating large ensemble sections including banda parts and multiple harp lines
  • Managing dramatic pacing and theatrical timing through musical direction

You May Also Like