Peace On Earth Sheet Music Preview

Peace On Earth: SATB Choral Octavo

By Jared Anderson / Arranged by Marty Hamby

Item: 35-DS00170631

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Additional Details
Publisher: Hal Leonard
Page Count: 9
SKU: 35-DS00170631

More about this title

About the Composer: Jared Anderson

Jared Anderson has established himself as a composer whose sacred works resonate with contemporary choirs seeking music that honors tradition while speaking to modern sensibilities. His compositions for choral ensembles balance lyrical writing with accessibility, making them valuable additions to both concert and liturgical settings.

Anderson's approach to choral composition emphasizes clear harmonic language and text painting that enhances rather than obscures the poetry. His work appears regularly on festival programs and in church music collections, where directors appreciate his craftsmanship and understanding of ensemble voices.

Why we love this

Anderson's setting arrives with genuine emotional restraint, letting the message of peace carry the music rather than drowning it in sentimentality. The arrangement by Marty Hamby preserves the contemplative quality while giving each voice section distinctive material, making this a standout choice for choirs that want substantive holiday repertoire beyond the familiar canon.

What to expect

A moment of quiet reflection, neither frantic nor overly sentimental. The music unfolds with understated confidence, creating an intimate space despite the four-part texture, and leaves singers and listeners with a sense of calm purpose.

Who it's for

Experienced high school or college choirs capable of handling independent voicing and interior entrances. Community and church choirs with solid sight-reading skills and an interest in contemporary sacred music will find this accessible and rewarding.

How to get the most out of it

  • Establish a gentle, unhurried tempo in early rehearsals; this piece demands space for the text to breathe and for inner voice lines to register clearly.
  • Layer in the soprano line last during sectional rehearsals, allowing the foundation voices to find their harmonic security before adding the highest melody.
  • Shape the overall arc by identifying key harmonic arrivals rather than pushing for volume; dynamic contrast comes from clarity and textural variety.

How to use it

Pair this with a traditional carol to create a thematic arc within your holiday concert, or open a set with it to establish a reflective mood. It also works beautifully in a liturgical context as a communion hymn or quiet recessional piece during the Christmas season.

Skills your students will build

  • Sustaining long phrases with consistent support and control
  • Balancing independent voice lines without losing the overall harmonic cohesion
  • Interpreting text with musical subtlety rather than dramatic emphasis
  • Sight-reading chromatic movement and secondary harmonic functions

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