Pavanne (from <I>Symphonette No. 2</I>) Cover Image

Pavanne (from <I>Symphonette No. 2</I>): Concert Band Conductor Score & Parts

$77.00 USD
$77.00 USD
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Pavanne (from <I>Symphonette No. 2</I>) Cover Image
Pavanne (from Symphonette No. 2): Concert Band Conductor Score & Parts

Pavanne (from Symphonette No. 2): Concert Band Conductor Score & Parts

By Morton Gould

Grade: 3 (Medium Easy)

Item: 00-BD9727
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Description
Morton Gould will be remembered in history as the consummate composer, conductor, educator, and administrator. His genius reached all facets of our art with compositions ranging from popular to symphonic literature. Occasionally, one of his works claimed fame in both arenas. Pavanne has been extracted from a larger work and has become one of those tunes known to millions. We proudly welcome Mr. Gould's own arrangement for concert band. (3:28)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Pavanne (from Symphonette No. 2): Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Belwin Classic Band
Publisher: Alfred Music
Page Count: 126
UPC: 029156298710
SKU: 00-BD9727

More about this title

About the Composer: Morton Gould

Morton Gould (1913-1996) composed across every genre imaginable, from concert hall symphonies to Broadway scores to film soundtracks, always with an ear for what audiences actually wanted to hear. He conducted major orchestras, founded and directed the Philharmonic-Symphony Orchestra of New York, and served as a tireless advocate for American composers and music education. His gift was making sophisticated composition accessible without sacrificing substance; his band works remain cornerstones of the concert band repertoire because they engage players and listeners with equal intelligence.

Why we love this

Gould's own band arrangement preserves the melodic charm that made Pavanne resonate beyond the concert hall while giving your ensemble real musical work to do. The Grade 3 setting is genuinely playable without reduction in style or harmonic interest, making it a rare piece that satisfies both educational goals and audience connection. Contest festivals and concert programs both welcome it.

What to expect

Pavanne glides with elegance and gentle refinement. The melody unfolds with a graceful, almost dance-like quality that never rushes; underneath, the harmonies sustain a warm, nostalgic atmosphere that connects immediately with listeners. There's a refinement to the orchestration that feels larger than Grade 3, yet remains entirely within reach.

Who it's for

Conductors leading Grade 3 concert bands who need a piece that programs well, plays solidly at this level, and delivers genuine musical satisfaction to a listening audience. This works for ensembles preparing for contests or building a concert program that shows depth without excessive technical demand.

How to get the most out of it

  • Shape the main melody with a clear, singing tone in the lead voices; this tune deserves the lyricism it carries in the original orchestration.
  • Balance the accompaniment texture so inner harmonic voices support without overwhelming the line.
  • Keep the tempo unified and unhurried; let the natural phrasing of the melody dictate breathing and phrase length rather than metronomic precision.
  • Watch for dynamic clarity in the score transitions; Gould's orchestration shifts color frequently, and clean part execution reveals the craft underneath.

How to use it

Place this piece where you want to shift the mood and demonstrate your ensemble's command of lyrical playing. It pairs beautifully with a contemporary wind band transcription on the same concert, or anchor the middle of a program with it to provide contrast against flashier or more rhythmically driven selections. The 3 minute 28 second duration fills a valuable programming slot.

Skills your students will build

  • Sustained phrase shaping and melodic projection
  • Harmonic balance in four-part and fuller textures
  • Dynamic control and sensitivity to accompaniment roles
  • Precision in articulation across contrasting sections
  • Score reading for band texture and color changes

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