Patapan Sheet Music Preview

Patapan: SATB Choral Octavo

Arr. Robert DeCormier

Item: 00-PO-0005009

Digital Download
$2.25

Minimum order quantity: 20 copies

Description
Instrumental parts available for rent, go to presser.com/request-rental.

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Additional Details
Series: Alfred Archive Edition: Lawson-Gould Music Publishers
Publisher: Alfred Music
Page Count: 12
SKU: 00-PO-0005009

More about this title

About the Arranger: Robert DeCormier

Robert DeCormier

Robert DeCormier studied at the Juilliard School and built a career spanning classical conducting, Broadway, and folk music. He served as music director of the New York Choral Society for seventeen years, worked as conductor and arranger for Harry Belafonte, and directed Peter, Paul and Mary from 1978 until 2010. He also taught conducting and ensembles at the Eastman School of Music from 1972 to 1977.

Beyond the concert hall, DeCormier founded the professional vocal ensemble Counterpoint in 2000 and led workshops with high school choirs throughout New England and beyond. His arrangements range from African-American spirituals to international folk songs, and his compositions span choral works, Broadway scores, and ballet music. He received the Vermont Governor's Award for Excellence in the Arts in 2002 and a Lifetime Achievement Award from the New England Choral Arts Foundation in 2006.

Why we love this

DeCormier's arrangement brings fresh warmth to a beloved carol without losing its character. His voice leading is idiomatic for choirs, balancing singability with harmonic interest, and the twelve-page score gives the piece room to breathe rather than cramping it into a generic holiday medley.

What to expect

The carol carries a gentle reverence that honors its 16th-century origins while remaining accessible to modern singers. There's an understated elegance in the writing that invites singers and listeners alike into quiet reflection rather than bombast.

Who it's for

SATB choirs at intermediate to advanced levels who want a solid Christmas arrangement with musicianship built into every part. This works equally well for church music programs, community choirs, and educational ensembles preparing December concerts.

How to get the most out of it

  • Shape the opening phrases with gentle dynamic contours rather than singing at full volume from the start; let the melody unfold naturally.
  • Balance the soprano line prominently in passages where it carries the tune, but ensure inner voices project enough to maintain harmonic clarity.
  • Keep the tempo moderate and steady; this carol works best when it feels unhurried and reflective rather than rushed.

How to use it

Anchor a Christmas concert's quieter section with this arrangement, pairing it with contrasting festive material or other carols in a winter concert suite. It also works well as a benediction piece or closer for holiday services where you want to leave the audience in a contemplative frame of mind.

Skills your students will build

  • Balancing multiple melodic lines in four-part harmony
  • Sustaining legato phrasing across phrases
  • Reading and interpreting dynamic markings for expressive singing
  • Blending voice parts while maintaining individual line integrity

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