Pat-a-Pan Cover Image

Pat-a-Pan: 6 Flutes & Opt. Percussion Score & Parts

$20.00 USD
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Pat-a-Pan Cover Image

Pat-a-Pan: 6 Flutes & Opt. Percussion Score & Parts

Arr. David Marlatt

Level: Medium

Item: 81-F15114

$20.00
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Description
"Pat-a-Pan" is a very rustic Christmas piece arranged for six flutes (including a piccolo) and optional percussion. It has been set in a round beginning with the a single player then gradually adding voices. The percussive drone parts add a distinct color to this piece. All players get at least one section of melody in this Christmas carol.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-77157-273-6
ISBN13: 978-1-77157-273-6
UPC: 685462022748
SKU: 81-F15114
Instrumentation: 6 Flutes & Opt. Percussion

More about this title

Why we love this

Marlatt's round structure transforms a familiar carol into something genuinely fresh without sacrificing accessibility. Every flutist earns moments with the melody, and the optional percussion parts create textural variety that keeps the arrangement from feeling thin across six voices.

What to expect

Intimate and rustic, with the homespun quality of a folk processional. As voices layer in, the piece builds warmth without becoming heavy; the optional percussion adds earthy, celebratory color that evokes both tradition and candlelit simplicity.

Who it's for

Flute choirs and chamber ensembles seeking accessible yet rewarding Christmas repertoire that values ensemble balance. This works well for programs where you need every player to feel invested rather than assigned to a supporting line.

How to get the most out of it

  • Balance the entering voices carefully during the round section; the piccolo's brightness will naturally project, so voice 2 and 3 may need gentle support from the ensemble to lock the texture.
  • If using percussion, let the drone anchor the harmonic space rather than filling every moment; strategic silence strengthens the effect when it returns.
  • Mark breath points clearly in parts before rehearsal; with a round this length, coordinated breathing prevents a staggered, choppy feel.
  • Experiment with dynamics across the different voice entrances to highlight the melodic journey as new players join.

How to use it

Place this in a winter concert as a charming contrast to more formal choral pieces or larger ensemble works. Its round structure and moderate length make it an ideal encore or standalone flute feature that audiences recognize and audiences enjoy immediately.

Skills your students will build

  • Listening and blending in ensemble texture with overlapping melodic lines
  • Balancing a sustained melodic line against concurrent parts
  • Breathing coordination within the round structure
  • Dynamic shaping to highlight individual voice entrances
  • Percussion integration and rhythmic precision across pitched and unpitched instruments

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