Pastorale (from The Christmas Concerto): String Orchestra Conductor Score & Parts
By Arcangelo Corelli / arr. Andrew H. Dabczynski
Grade: 1.5
Item: 00-PK-0005261
$46.00
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
Parts Added to Cart!
Description
This arrangement maintains the gentle essence of the concerto grosso movement of this well-known work while all sections have an opportunity to play the rich melodies and counterpoint. The lyricism and musicality of this piece is incredibly touching, yet it is remarkably uncomplicated to rehearse and perform. Here is an arrangement that almost plays itself, all with a peaceful spirit that your beginning students will surely remember long after the concert is over.
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Pastorale (from The Christmas Concerto): String Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
Open in the Player
Jump straight in and assign it today.
Start Your Free Trial
Open this title and explore the full library in minutes.
Sample Audio
1
Audio File
--:--
0:00
0:00
Sample Video
No sample videos found.
Additional Details
Series:
Highland/Etling String Explorer
Publisher:
Alfred Music
Page Count:
72
SKU:
00-PK-0005261
More about this title
About the Composer: Arcangelo Corelli
Arcangelo Corelli (1653, 1713) was an Italian violinist and composer whose concertos grossi became the blueprint for Baroque ensemble writing. His work established the dialogue between solo and tutti sections that defined the genre, and his melodies remain among the most singable and memorable in the Baroque repertoire. For generations of string students, Corelli's music has served as the gateway to understanding how counterpoint and harmony can coexist with pure musical expression.
Why we love this
Dabczynski's arrangement distributes the elegant melodies across your entire string section, ensuring every player owns the music rather than sitting passively. Beginning orchestras rarely encounter Baroque masterworks this accessible; the writing flows naturally without technical barriers, yet the harmonic language and counterpoint remain genuinely sophisticated. You get authentic period style wrapped in pedagogical wisdom.
What to expect
The Pastorale unfolds with quiet dignity and warmth, evoking candlelit stillness and reflection. The movement breathes gently, allowing each voice to sing without strain, creating moments of genuine beauty that engage both the players and the audience.
Who it's for
String orchestras at the early intermediate level (grades 1-3) seeking concert-ready repertoire that sounds polished while remaining manageable in rehearsal. Conductors building programs around Baroque literature will find this arrangement opens doors without overwhelming developing players.
How to get the most out of it
- Shape each phrase with gentle direction toward natural arrival points rather than rigidly adhering to a metronome; Baroque lyricism thrives on subtle rhythmic breathing.
- Balance the countermelodies carefully so secondary voices support without overshadowing the primary melody; this trains ear awareness across the entire section.
- Sustain quiet dynamics evenly throughout; young string players often tense up in softer passages, which creates unwanted tonal changes.
- Encourage smooth bow changes at phrase boundaries to preserve the peaceful, uninterrupted flow the arrangement requires.
How to use it
Place this on a winter concert as an opener or as part of a thematic program pairing Baroque works with other seasonal repertoire. The peaceful character provides excellent contrast against more rhythmically energetic pieces, and its brevity makes it ideal for extending a concert without adding excessive rehearsal demands.
Skills your students will build
- Sustaining even tone in soft, sustained passages
- Baroque phrasing and articulation conventions
- Independence of melodic and accompaniment lines within the string choir
- Balancing individual parts within an ensemble texture
- Listening across sections to maintain transparent counterpoint