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Passage of Arms: Concert Band Conductor Score

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Passage of Arms: Concert Band Conductor Score

Invocation and Joust

By Jack Wilds

Grade: 1.5

Item: 98-B1561S

$6.00
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Description
Opening with a sense of solemn reverence and anticipation, this highly energetic work takes place in France during the Middle Ages. As a knight sets up camp in front of a bridge, the battles begin when other knights try to gain passage. Driving rhythms represent the energy of battle while a wide array of percussion mimics the clash of distant swords and battle cries. Eventually, both themes are juxtaposed before a final victorious statement emerges. Intense!

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Additional Details
Series: FJH Developing Band
Publisher: The FJH Music Company, Inc.
UPC: 241444506066
SKU: 98-B1561S

More about this title

About the Composer: Jack Wilds

Jack Wilds

Jack Wilds composes for ensembles spanning from children's choirs to professional orchestras, drawing inspiration from visual art, philosophy, literature, and pure musical craft. His work consistently finds ways to challenge and inspire performers at their current level, whether they're in elementary school or playing professionally.

A former public school band director, Wilds has published over 40 works for developing musicians, many of which appear on festival required repertoire lists across multiple continents. His compositions have been performed at the Midwest Clinic, international festivals including the International Trombone Festival and Wyoming Festival, and by ensembles ranging from the Attacca Quartet to members of the New York Philharmonic and Atlanta Symphony. He teaches composition, music theory, and music technology at Texas State University and serves as Co-Director of Music at First Presbyterian Church in San Marcos.

Why we love this

Wilds crafts a narrative arc that keeps Grade 1.5 musicians engaged without overwhelming them; the dramatic story of medieval knights approaching a bridge gives students a clear dramatic vision to play toward. The orchestration uses percussion scoring creatively to build color and excitement while remaining accessible, and the juxtaposition of contrasting themes at the climax provides real musical architecture that young players can hear and execute.

What to expect

Medieval pageantry unfolds beneath gathering storm clouds. The opening invites quiet focus and anticipation; then percussion clatters and rhythms surge forward as the battle erupts, creating visceral energy that young players can feel in their bodies. The final statement breaks through with hard-won triumph.

Who it's for

Young concert bands at early intermediate level who are ready for music with real dramatic scope and narrative drive. This works equally well for a band building ensemble awareness and sectional balance, or for any group looking for energetic, engaging contest and festival material that respects developing musicians.

How to get the most out of it

  • Build the opening solemn reverence without dragging the tempo; let the quiet energy simmer and create anticipation for the battle sections.
  • Balance the driving rhythms in the battle sections so they feel propulsive rather than chaotic; a tight ensemble sound in the rhythm section will help define the energy.
  • Give the percussion section its moment in the spotlight during the battle sequences; the clash of instruments should feel present and theatrical without overshadowing the wind parts.
  • Shape the final victorious statement with clear dynamic arrival; make sure students understand that this conclusion is the payoff for everything that came before.

How to use it

Program this as a centerpiece contest selection or as the dramatic finale to a concert that might otherwise feature quieter, more lyrical work. It pairs well with lighter fare on the same program because its intensity reads as a genuine climactic moment. The narrative clarity also makes it effective for concert themes that include medieval or historical elements.

Skills your students will build

  • Sustaining momentum across contrasting sections (solemn opening, energetic battle, triumphant conclusion)
  • Reading and executing driving rhythmic figures at developing level
  • Listening to and balancing against active percussion parts
  • Phrasing and dynamic shaping in service of narrative and drama
  • Ensemble cohesion when rhythmic demands increase

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