Pasquinade (Caprice), Op. 59/RO 189 Cover Image

Pasquinade (Caprice), Op. 59/RO 189: Salon/ Theater Orchestra Condensed Score

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Pasquinade (Caprice), Op. 59/RO 189 Cover Image
Pasquinade (Caprice), Op. 59/RO 189: Salon/ Theater Orchestra Condensed Score

Pasquinade (Caprice), Op. 59/RO 189: Salon/ Theater Orchestra Condensed Score

By Louis Moreau Gottschalk, ed./arr. Thomas H. Rollinson

Item: 36-A693599
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Description
Pasquinade (Caprice), Op. 59/RO 189 was composed for piano in the mid-1850s (c. 1855-1856) by Louis Moreau Gottschalk (1829-1869), the pioneering American pianist-composer whose works blend European virtuoso tradition with the rhythmic vitality of the Americas. Written during his extensive concert tours, the piece showcases Gottschalk's flair for brilliant, audience-pleasing piano music, characterized by sparkling passagework, syncopated rhythms, and light, playful character suggested by the title "Pasquinade," referring to a satirical or witty expression. This orchestration was completed by Thomas H. Rollinson. Instrumentation: 1.1.2.1: 2.2(Crnt).1.0: Perc(2): Str (9.8.7.6.5 in set): CS (Pno-Cond) in set. Reprint edition.

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Additional Details
Series: Kalmus Symphonic Pops
Publisher: EDWIN F KALMUS
ISBN13: 979-890-420-0855
UPC: 604634027114
SKU: 36-A693599
Instrumentation: Salon/ Theater Orchestra

More about this title

About the Composer: Louis Moreau Gottschalk

Louis Moreau Gottschalk stands as one of the first internationally celebrated American concert pianists and composers. Born in New Orleans in 1829, he trained in Paris under the mentorship of Berlioz and Chopin, absorbing the virtuoso pianistic language of the Romantic era while remaining rooted in the Creole and Caribbean musical traditions of his native region. His compositional output blends European technical sophistication with the syncopated rhythms and exotic harmonic colors of the Americas, making him a bridge between continents.

During the mid-19th century, Gottschalk became a fixture on concert stages across North America and Europe, performing both his own works and the classical repertoire. His compositions were designed for the demands of a touring virtuoso: they require brilliant technique, reward the soloist with striking effects, and engage audiences through immediate melodic appeal and rhythmic energy. Pasquinade exemplifies his gift for writing salon music that satisfies both performer and listener, combining wit and technical display without sacrificing musical substance.

Why we love this

This orchestration transforms a beloved piano showpiece into a vehicle for ensemble virtuosity that works beautifully in a pops context. Rollinson's arrangement distributes Gottschalk's sparkling passagework across the orchestra while preserving the piano's conversational role, creating opportunities for both soloists and sections to shine with rhythmic precision and style.

What to expect

Witty, effervescent, and unapologetically charming. The piece bounces with syncopated energy and melodic wit, evoking the elegance of a 19th-century salon where musical cleverness and technical dazzle were prized entertainments. Beneath the glittering surface runs a genuine musicality that respects both the audience's intelligence and their appetite for beauty.

Who it's for

Orchestra directors seeking a programmatic dessert that appeals to community and student ensembles alike. This works particularly well for conductors who want to feature a capable pianist soloist alongside their orchestra while maintaining the lightness and accessibility that pops audiences expect.

How to get the most out of it

  • Keep the syncopated rhythms crisp and articulate across winds and strings; the piece's charm depends on precise ensemble attacks rather than romantic lingering over phrases.
  • Balance the solo piano with the orchestra so the accompaniment supports without overwhelming the conductor's chosen soloist.
  • Shape the sectional contrasts cleanly. Each return to the main material should feel like a fresh statement, not a repetition.

How to use it

Program this as the centerpiece of a Gottschalk or American Romanticism concert, or use it to close a pops concert that celebrates virtuosity and style. It pairs naturally with other light orchestral works from the same era and provides a refreshing contrast to weightier symphonic fare in a mixed program.

Skills your students will build

  • Executing syncopated rhythms with ensemble precision
  • Balancing solo and accompaniment roles within an orchestral texture
  • Reading a salon orchestra score with mixed doublings and redistribution of piano figuration
  • Maintaining stylistic consistency across sectional repeats and contrasting themes

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