Party, Me Heartey Sheet Music Preview

Party, Me Heartey: 2-Part Choral Octavo

By Greg Gilpin

Item: 35-DS00304106

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Additional Details
Publisher: Hal Leonard
Page Count: 10
SKU: 35-DS00304106

More about this title

About the Composer: Greg Gilpin

Greg Gilpin

Greg Gilpin brings versatility across composition, conducting, and music education that few choral leaders can match. His work as an ASCAP award-winning composer has been performed at major concert halls including Carnegie Hall, Lincoln Center, Ryman Auditorium, Sydney Opera House, Royal Festival Hall, and Harpa Concert Hall. As Director of Educational Choral Publications for Shawnee Press, he shapes choral repertoire for schools and communities nationwide.

Beyond the concert stage, Gilpin has expanded into film scoring (earning Best Score for the short film "Rosie's Rescue" in 2021), collaborated on world premiere arrangements with professional opera singers, and built a thriving career in professional organizing and life coaching. His memberships in ACDA, NAfME, SAG-AFTRA, and Phi Mu Alpha Sinfonia reflect his deep commitment to the music education profession.

Why we love this

Gilpin writes novelty pieces with genuine musical substance, and this one delivers both fun and solid choral writing for developing singers. The two-part voicing keeps accessibility high while the humorous text keeps energy and engagement high, making it ideal for building ensemble cohesion without sacrificing musicality.

What to expect

Playful and theatrical, this piece invites singers to embrace character and personality. The setting creates a spirited, almost piratical energy that makes rehearsal fun while developing essential skills in part independence and ensemble listening.

Who it's for

This piece works beautifully for middle school and early high school choirs seeking an engaging novelty number that doesn't talk down to young singers. It's equally suited to community or adult choirs looking for a lighthearted concert moment that builds repertoire beyond serious fare.

How to get the most out of it

  • Lean into the character and storytelling of the text; this piece thrives when singers commit fully to the comedic tone and avoid sounding tentative.
  • Balance the two parts carefully during rehearsal so neither line dominates, especially in sections where they move independently.
  • Use consistent diction across both voice parts to anchor the ensemble sound and clarify the lyrical narrative.

How to use it

Position this as a standalone moment of levity in a concert program, perhaps following a series of classical or art song selections to reset audience energy. Its novelty character and manageable length make it ideal for spring concerts or end-of-year performances where you want to celebrate the joy of singing together.

Skills your students will build

  • Two-part voice independence
  • Character-driven interpretation and phrasing
  • Ensemble blend and balance across divisi passages
  • Text clarity and comedic timing in sung narrative

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