Party in the U.S.A.: (wp) 1st B-flat Trombone B.C. Sheet Music Preview

Party in the U.S.A.: (wp) 1st B-flat Trombone B.C.

As performed by Miley Cyrus

Words and music by Claude Kelly, Lukasz Gottwald, and Jessica Cornish

Grade: 2 (Easy)

Item: 00-PC-0014290_wpTN1BC

Digital Download
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Description
Teen pop sensation Miley Cyrus delivers another fun and energetic chart topper with Party in the U.S.A. Reaching the number 2 position in the U.S. Billboard Hot 100, this tune is sure to be a "party" for your concert ensemble!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Party in the U.S.A.: (wp) 1st B-flat Trombone B.C. comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Sample Video
Additional Details
Series: Hot Pop Band
Publisher: Alfred Music
Page Count: 126
SKU: 00-PC-0014290_wpTN1BC

More about this title

About the Composer: Claude Kelly

Claude Kelly is a songwriter and producer who has crafted hits across multiple genres, from pop to R&B. His work as a composer reflects a knack for writing memorable melodies and infectious rhythms that translate well to ensemble settings.

Why we love this

This arrangement captures the infectious energy of a radio hit without requiring advanced technical chops from your band. Students get to play something they actually know and love, which builds genuine enthusiasm during rehearsals and performances.

What to expect

Bright, propulsive, and unapologetically fun. The arrangement delivers the chart energy students recognize from radio play, with driving rhythms and a hook that sticks in your head for days after rehearsal.

Who it's for

Concert bands at the easy playing level who want to program something current and engaging for their audience. Works especially well in pep bands, community concerts, or mixed-ability ensembles where keeping energy high matters as much as technical precision.

How to get the most out of it

  • Keep the rhythmic drive tight through the verse sections; the pocket matters more than perfect intonation here.
  • Balance the melody across sections so no single line gets lost in the pop-style texture; the hook needs to cut through.
  • Lean into the syncopated rhythms in the accompaniment parts rather than fighting them; that's where the groove lives.
  • Use the recorded accompaniment to lock tempo if available, especially during the transition into the chorus.

How to use it

Perfect as a closer on a spring or pep concert, or as a palate cleanser between more substantial concert pieces. The familiarity and accessibility make it an excellent choice for audience engagement without requiring lengthy rehearsal time.

Skills your students will build

  • Maintaining consistent rhythmic pulse in syncopated accompaniment figures
  • Balancing melodic lines within a pop texture
  • Playing with stylistic articulation appropriate to contemporary music
  • Reading and executing parts written with contemporary harmonic language

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