Part Of Your World (from The Little Mermaid) (arr. Mark Brymer) Sheet Music Preview

Part Of Your World (from The Little Mermaid) (arr. Mark Brymer): SA(T)B Choral Octavo

By Alan Menken Howard Ashman / Arranged by Mark Brymer

Item: 35-DS01097889

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Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-DS01097889

More about this title

About the Composer: Alan Menken Howard Ashman

Alan Menken and Howard Ashman revolutionized Disney animation through their songwriting partnership in the late 1980s and early 1990s. Menken's gift for melody and harmonic sophistication combined with Ashman's theatrical wit and emotional depth created songs that function equally well as character moments and standalone pieces. Their work for The Little Mermaid, Beauty and the Beast, and Aladdin set a new standard for animated film scores and introduced millions of young people to sophisticated musical storytelling.

For music educators, Menken and Ashman's catalog offers rare opportunities to teach vocal technique, character interpretation, and contemporary harmonic language through material that students already love. Their songs reward careful arrangement and musical maturity while remaining accessible to developing singers.

Why we love this

Mark Brymer's arrangement captures everything that makes this song iconic while crafting something genuinely singable for mixed voices. The upper voice carries the soaring melody with space to shine, while the supporting harmonies provide textural interest without overwhelming younger or less experienced singers. It's the kind of arrangement that makes students want to come to rehearsal.

What to expect

Pure longing wrapped in an irresistible melody. This arrangement captures Ariel's wonder and restlessness, building from quiet introspection into moments of genuine conviction. The harmonies shimmer and shift beneath the vocal line, creating a world that feels both magical and achingly human.

Who it's for

Any mixed choir looking to perform a song that appeals to both performers and audiences. The 11 page octavo works equally well for high school choirs seeking engaging repertoire and community or church ensembles wanting contemporary material with emotional heft.

How to get the most out of it

  • Balance the soprano line prominently through the verse sections; this is Ariel's moment of yearning, so her voice must cut through the harmony beneath.
  • The alto and tenor voices anchor the harmonic progression. Work those parts separately until singers understand how their line supports rather than competes with the melody.
  • Shape the phrase contours dynamically. Rather than singing at one volume, let the emotional arc of 'I wanna be where the people are' grow and recede naturally.
  • Lock the bass line with precision. The harmonic foundation needs to be rock solid so the upper voices can soar over it without fear.

How to use it

Open a concert with this piece to immediately connect with your audience. The song's cultural resonance and infectious melody make it an excellent anchor for thematic programming around animation, musical theater, or songs that transcend their film origins. Consider pairing it with other contemporary vocal music to show how Broadway and film songwriting continues to evolve.

Skills your students will build

  • Singing expressive melodic lines over moving harmonic accompaniment
  • Balancing individual voice parts while maintaining overall ensemble blend
  • Interpreting character motivation through vocal phrasing and dynamic shape
  • Reading and executing rhythmic accuracy in a four-part texture

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