Part Of Your World/A Whole New World (from The Little Mermaid/Aladdin) (arr. Deke Sharon): SATB Choral Octavo

Sharon layers two iconic Disney songs into one medley that captures both the yearning wonder of Ariel's dream and the adventurous rush of Aladdin's magic carpet ride. The arrangement gives each voice part a genuine moment to shine rather than burying some voices in accompaniment, and the transitions between the two melodies feel natural rather than stitched together. For middle and high school choirs, this delivers immediate audience recognition paired with solid musical writing that doesn't shortchange the singers.

This medley channels the emotional specificity of each song. 'Part of Your World' carries a wistful, introspective quality as characters yearn for something beyond their reach, while 'A Whole New World' explodes into exuberance and possibility. Sharon's arrangement preserves those contrasting energies while creating a unified vocal experience.

Middle school through high school choirs seeking contemporary repertoire that connects with student singers. The medley works for ensembles comfortable with mixed voicing and a cappella blend, and it lands well with audiences who grew up with these Disney films.

• Balance the legit singing style needed for 'Part of Your World' with the contemporary pop sensibility of 'A Whole New World.' The shift requires a gear change in articulation and resonance that's worth rehearsing explicitly.
• Lock the melodic line with soloists or section leaders before bringing in harmonic layers. These melodies are so familiar that any rhythmic wavering becomes instantly noticeable.
• Shape the middle section between songs as a true transition rather than a hard stop. Use dynamics and breath placement to create forward momentum into the second melody.

Position this as a centerpiece for a Disney or Broadway themed concert, or use it as an audience favorite on a mixed program where you need a moment of pure entertainment. The 13-page length and medley structure make it substantial enough to anchor a set without overextending rehearsal time.

• Sustaining legit vocal production over longer phrase lengths
• Transitioning between contrasting musical styles within a single piece
• Balancing transparency in a cappella voicing while maintaining harmonic blend
• Performing familiar melodies with interpretive control rather than default familiarity