Part of Me (from Dear Evan Hansen) (arr. Roger Emerson): Choral Instrumental Pak

Roger Emerson's arrangement opens up this powerful ensemble moment to a broader range of singers while preserving the emotional weight that makes the song so effective. The medium tempo keeps the piece approachable for developing choirs without sacrificing the vulnerability that audiences connect with instantly.

The piece carries the intimate urgency of a conversation happening in real time. Underneath the melody sits harmonic support that feels modern and slightly unsettled, creating a sense of emotional stakes without melodrama.

This works well for choirs seeking contemporary Broadway repertoire that challenges singers musically while remaining emotionally transparent. It's particularly suited to programs that include student performers with varying levels of experience, since the arrangement accommodates different ranges and voice types.

• Encourage singers to find the genuine vulnerability in the lyric rather than oversinging the emotional content. The song's power comes from restraint and authenticity.
• Balance the ensemble passages so no single voice part overwhelms the others. This creates the unified plea that the text demands.
• Let the accompaniment anchor the harmonic motion, especially if your ensemble is still developing independence in complex chords.

Pair this with other contemporary musical theater selections to showcase your choir's range beyond classical repertoire, or use it as an anchor for a concert exploring Broadway's treatment of adolescence and belonging. The medium tempo and manageable length also make it work as a strong closer for a shorter concert set.

• Singing contemporary harmonic language with confidence and precision
• Balancing individual expression within ensemble context
• Sustaining emotional authenticity across repeated musical phrases
• Managing moderate range spans in modern vocal writing