Paris Symphonies Nos. 82-87 in Full Score Cover Image

Paris Symphonies Nos. 82-87 in Full Score: Full Orchestra Full Score

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Paris Symphonies Nos. 82-87 in Full Score Cover Image

Paris Symphonies Nos. 82-87 in Full Score: Full Orchestra Full Score

By Franz Joseph Haydn

Item: 06-80531X

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Description
Commissioned in 1786 by the Paris-based orchestra Le Concert de la Loge Olympique, these six symphonies were created for an extraordinarily large ensemble of both professional and amateur players, including reinforced woodwind parts and a large string section. The symphonies are:
Symphony No. 82 in C major, L'Ours (The Bear), 1786
Symphony No. 83 in G minor, La Poule (The Hen), 1785
Symphony No. 84 in E flat major, In Nomine Domini, 1786
Symphony No. 85 in B flat major, La Reine (The Queen), 1785
Symphony No. 86 in D major, 1786
Symphony No. 87 in A major, 1785
Composer Giuseppe Maria Cambini, a member of the orchestra, noted that the enthusiastically received premieres featured some of the city's finest musicians. A contemporary critic remarked that "Each hearing increases our appreciation and admiration of the works of the great genius, who, in all his pieces, understands so well how to draw the richest and most varied developments from every theme." Reproduced from the authoritative Breitkopf & Härtel editions, this volume offers musicians and music lovers an inexpensive and authoritative compilation of Haydn's ever-popular works.

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Additional Details
Series: Dover Edition
Publisher: Dover Publications
Page Count: 300
ISBN10: 0-486-80530-1
ISBN13: 978-0-486-80530-6
UPC: 800759805310
SKU: 06-80531X
Instrumentation: Orchestra

More about this title

About the Composer: Franz Joseph Haydn

Franz Joseph Haydn (1732, 1809) shaped the symphony as we know it. Over six decades of compositional work, he wrote 104 symphonies that moved the form from a brief, functional opener into a vehicle for profound musical argument and storytelling. His ability to spin simple themes into elaborate, surprising developments set the standard that Mozart and Beethoven would follow.

The Paris Symphonies represent Haydn at full maturity, written for an audience hungry for orchestral spectacle and crafted with the technical demands of a first-rate ensemble in mind. These works show why Haydn earned the title "Father of the Symphony" and why orchestras still return to them as models of clarity, wit, and structural mastery.

Why we love this

These six symphonies demand real orchestral resources and reward that investment completely. The reinforced woodwind and string writing creates colors and textures that students rarely encounter at this level, while Haydn's structural logic teaches how to build excitement and coherence across substantial movements. Programming one of these works signals artistic ambition and gives your orchestra a proven masterpiece that never wears thin.

What to expect

Elegant, purposeful, and alive with momentum. Haydn moves between stately ceremonial writing and surprising humor, between intimate dialogue among sections and full orchestral brilliance. The music feels both classically poised and genuinely human, with enough melodic invention to keep every section engaged across the full score.

Who it's for

Advanced high school orchestras and college ensembles ready to engage with genuine symphonic writing. Musicians need solid technical foundation and the maturity to sustain multi-movement structures, but these works reward that preparation with musical depth and genuine interest.

How to get the most out of it

  • Balance the string section carefully against the expanded winds; Haydn wrote these parts to blend, not compete. Rehearsal balance will look different from concert acoustics, so trust the score's voice-leading rather than what you hear in the room.
  • Let the named symphonies (L'Ours, La Poule, La Reine) guide your interpretation subtly. Haydn's humor and character writing are built into the notes themselves; excessive theatrical overlay usually obscures rather than clarifies his intent.
  • The development sections contain Haydn's most inventive work. Rehearse these passages with attention to how fragments recombine and modulate; players need to hear the logic beneath the surface activity.

How to use it

Feature one symphony as the centerpiece of a classical concert, pairing it with a shorter work and perhaps a contemporary piece that draws on classical forms. The naming of three symphonies provides natural programming flexibility: select one that matches your concert's theme or your orchestra's particular strengths.

Skills your students will build

  • Reading Classical symphonic form and understanding development technique
  • Balancing exposed woodwind and brass writing within a large string section
  • Playing with stylistic precision in both rapid passagework and sustained phrasing
  • Responding to subtle character and orchestration cues embedded in the score

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