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Paradiddles: Concert Band Conductor Score

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Paradiddles: Concert Band Conductor Score

By Gary Fagan

Grade: 3.5 (Medium)

Item: 00-44207S

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Description
Percussionists must learn both the rudiments and the scales. This piece provides the wind players some exposure to the rudiments. "Paradiddles" creates patterns played by the winds that mimic two types of paradiddles---the single paradiddle and the double paradiddle. This may be the first piece for concert band inspired by, and based on, percussion rudiments. (5:50)

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Additional Details
Series: Alfred Concert Band
Publisher: Alfred Music
Page Count: 32
UPC: 038081498324
SKU: 00-44207S

More about this title

About the Composer: Gary Fagan

Gary Fagan

Gary Fagan brings three decades of classroom experience to his work as a composer and arranger. A Virginia educator who spent 36 years directing bands in Albemarle County, he has earned recognition including Central Virginia Outstanding Middle School Teacher and multiple Outstanding Educator Awards. His compositions and arrangements have been heard at prestigious venues ranging from the Midwest Band and Orchestra Clinic to the White House.

Fagan holds degrees from Bridgewater College (Music Education) and James Madison University (Master's), where he later served as adjunct faculty teaching arranging. He remains active in the field as a clinician, adjudicator, and University Supervisor at JMU. A percussionist himself with the Charlottesville Band (where he serves as Assistant Director), Fagan is a member of the National Band Association, Phi Beta Mu Bandmasters Fraternity, and ASCAP.

Why we love this

Fagan's choice to anchor an entire concert band piece in the language of percussion rudiments gives wind players a rare inside look at how drummers think rhythmically. The writing is transparent enough for a Grade 3.5 ensemble to execute clearly while remaining musically engaging, and the concept naturally sparks conversation about the connections between all sections of the band.

What to expect

The piece has an energetic, mechanical precision to it, with wind instruments trading the tight, snappy articulation typical of drum rudiments. There's a satisfying interplay between the pattern-driven writing and moments of musical breathing that keep the band engaged as ensemble members rather than human metronomes.

Who it's for

Directors seeking to deepen band players' understanding of percussion fundamentals without requiring them to play drums. Ensembles at the Grade 3.5 level with solid rhythmic foundation and secure articulation technique will benefit most from this piece's educational premise.

How to get the most out of it

  • Isolate the paradiddle patterns in winds during sectional rehearsals so players understand what rudiment they're executing and why the phrasing matters.
  • Balance the percussion section carefully; the drums should anchor the patterns without overpowering the band's melodic lines.
  • Attend to articulation consistency across the woodwind and brass sections to ensure the diddle patterns read as unified rhythmic gestures.

How to use it

Program this as a standalone concert work that doubles as a teaching tool, or pair it with a traditional percussion feature to create a full conversation about how the entire band can benefit from understanding rudimentary technique. At 5:50, it occupies a substantial enough slot to anchor a concert set without dominating the program.

Skills your students will build

  • Executing single and double paradiddle patterns on pitched instruments
  • Articulation consistency and precision across sections
  • Understanding rhythmic rudiments and their musical application beyond the drum kit
  • Rhythmic independence and part awareness in ensemble contexts

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