Palmer-Hughes Accordion Course Recital Book, Book 3 Cover Image

Palmer-Hughes Accordion Course Recital Book, Book 3: Accordion Book

$7.99 USD
Sale price  $7.99 USD Regular price 
Skip to product information
Palmer-Hughes Accordion Course Recital Book, Book 3 Cover Image

Palmer-Hughes Accordion Course Recital Book, Book 3: Accordion Book

For Individual or Class Instruction

By Willard A. Palmer and Bill Hughes

Item: 00-245

$7.99
Shipped

One moment…

Description
Fun solos that supplement the corresponding levels of the Palmer-Hughes Accordion Course, Lesson Books. Includes many all-time favorite melodies. "American Patrol" and "Battle Hymn of the Republic" are Federation Festivals 2016-2020 selections. A Federation Festivals 2020-2024 selection.

Palmer-Hughes Accordion Course Recital Book, Book 3: Accordion Book isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Palmer-Hughes Accordion Course
Publisher: Alfred Music
Page Count: 32
ISBN10: 0-7390-9462-9
ISBN13: 978-0-7390-9462-4
UPC: 038081031347
SKU: 00-245

More about this title

About the Author: Willard A. Palmer

Willard A. Palmer

Willard A. Palmer built a prolific career as a composer, pedagogue, and accordion advocate, producing 789 published works spanning methods, solos, and choral literature that have been translated into German, Japanese, French, Dutch, and Spanish. Early on, he emerged as a child prodigy, performing piano on radio at age 13 and later studying at the Conservatory of Leipzig on a two-year scholarship. Palmer taught accordion at the University of Houston for 18 years, establishing the first successful college accordion program, and served for many years as choir director of Memorial Lutheran Church in Houston.

Beyond his accordion and piano methods, Palmer distinguished himself as a scholar of Baroque music and ornamentation, becoming internationally recognized in that field. His research shaped the acclaimed Alfred Masterworks series. He held memberships in the American Federation of Musicians, the American Accordionists' Association, and ASCAP, and served as director of the Riemenschneider Bach Institute. In 1971 and 1983, he received Doctor of Humanities and Doctor of Music degrees in recognition of his contributions to musicological research.

Why we love this

Palmer's recital book balances repertoire depth with genuine student engagement. The inclusion of American standards alongside festival selections means students get both the pride of performing recognizable melodies and the discipline of preparing required contest pieces without needing separate editions.

What to expect

Approachable yet rewarding, these solos strike a balance between accessibility and musical substance. You'll find yourself drawn to familiar melodies that feel natural under your fingers, while still encountering enough harmonic interest and rhythmic variety to keep practicing fresh and engaging.

Who it's for

Accordion students working through Book 3 of the Palmer-Hughes Course who are ready to move beyond lesson materials and explore performance repertoire. These solos complement the technical and musical foundation laid in the corresponding lesson book while introducing students to melodies that range from classical standards to American favorites.

How to get the most out of it

  • Map the bellows changes before your first run-through; Palmer's solos often use bellows direction shifts to shape phrasing, so planning these changes ahead prevents stumbles and keeps musical lines flowing.
  • Work articulation and bellows control together as a pair. The right bellows pressure and release at the start of each phrase will transform a technically correct solo into one that breathes naturally.
  • Listen to the piece played on accordion if possible; hearing the full sound of the instrument, particularly how the reeds blend and how bellows affect tone color, helps you imagine the sound before you produce it.

How to use it

Feature these solos at student recitals or accordion studio showcases where performers can transition smoothly from lesson-based playing to genuine repertoire. Since two selections align with Federation Festivals requirements for 2020-2024, Book 3 becomes both a performance resource and a head start on competition preparation.

Skills your students will build

  • Bellows control for dynamic shaping and phrase articulation
  • Interpretation of American and classical melodies across varying textures
  • Performance confidence in prepared, public-facing repertoire
  • Smooth transitions between different accordion registers and tonal colors
  • Festival preparation and sight-reading fluency at the Book 3 level

You May Also Like