Palmer-Hughes Accordion Course, Book 6 Cover Image

Palmer-Hughes Accordion Course, Book 6: Accordion Book

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Palmer-Hughes Accordion Course, Book 6 Cover Image

Palmer-Hughes Accordion Course, Book 6: Accordion Book

For Group or Individual Instruction

By Willard A. Palmer and Bill Hughes

Item: 00-210

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Description
This comprehensive method of music instruction enables the beginner to progress to an advanced stage of technical skill. "El Relicario," "Themes from 2nd Hungarian Rhapsody," and "Waltz Theme" are Federation Festivals 2016-2020 selections. A Federation Festivals 2020-2024 selection.

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Additional Details
Series: Palmer-Hughes Accordion Course
Publisher: Alfred Music
Page Count: 48
ISBN10: 0-7390-9457-2
ISBN13: 978-0-7390-9457-0
UPC: 038081002330
SKU: 00-210

More about this title

About the Author: Willard A. Palmer

Willard A. Palmer

Dr. Willard A. Palmer stands as one of the most prolific composers and pedagogues in American music education, having authored nearly 800 published works across piano, accordion, guitar, organ, and choral literature. His output has been translated into German, Japanese, French, Dutch, and Spanish, reaching musicians worldwide. A child prodigy who performed piano on radio at age 13, Palmer studied under Mae Vardeman, whose emphasis on proper technique and improvisation shaped his approach to teaching. He earned degrees from Millsaps College and studied at the Conservatory of Leipzig on a two-year scholarship before establishing himself as a college instructor.

Palmer's academic career centered on the University of Houston, where he taught accordion for 18 years and pioneered the first successful college-level accordion curriculum in the United States. Beyond performance and composition, he became recognized internationally as a scholar of Baroque music ornamentation, work that anchored the acclaimed Alfred Masterworks series. His contributions to musicological research earned him both a Doctor of Humanities degree (1971) and a Doctor of Music degree (1983). Palmer also served as director of the Riemenschneider Bach Institute and was an active member of the American Accordionists' Association and American Society of Composers, Authors and Publishers.

Why we love this

Book 6 represents the culmination of Palmer's methodical approach to accordion pedagogy, moving students decisively into the advanced repertoire they're ready to tackle. The inclusion of Federation Festivals selections across two competition cycles ensures material that's both challenging and performance-ready. Palmer's track record of writing idiomatically for the accordion means every exercise and piece sits naturally under the hands, respecting the instrument's unique capabilities rather than treating it as a secondary keyboard.

What to expect

The journey through Book 6 shifts from skill-building toward musical ownership. Familiar styles like the waltz sit alongside more complex arrangements, creating a sense of both comfort and growth. The inclusion of recognized competition repertoire adds a touch of legitimacy and pride; students recognize they're playing the same pieces that appear on festival adjudication forms.

Who it's for

Book 6 is designed for accordion students who have completed the earlier Palmer-Hughes books and are ready to refine their technical foundation while engaging serious solo repertoire. These students have mastered basic fingering, hand independence, and standard accordion patterns and are now preparing for festivals, recitals, or continued advanced study.

How to get the most out of it

  • Approach the Federation selections as interpretive challenges, not merely technical exercises. Palmer's arrangements of 'El Relicario' and the Liszt Hungarian Rhapsody themes reward careful attention to phrasing, articulation choices on the bellows, and dynamic shaping within each phrase.
  • Balance left-hand independence with right-hand melody. By Book 6, students should be comfortable executing independent left-hand accompaniment patterns while maintaining secure voice leading in the right hand.
  • Use the bellows air pressure as a musicality tool. Dynamic control on the accordion differs from piano in that sustained tones and phrase endings require deliberate bellows management to achieve expression.
  • Work sections to tempo in isolation before connecting them. Palmer's progressions often build in harmonic complexity; locking in chord changes at a comfortable speed first prevents rhythm slippage when you eventually approach performance tempo.

How to use it

Sequence Book 6 as the capstone of Palmer-Hughes instruction before students transition to mixed repertoire or advanced methods. The Federation Festivals selections make this book especially valuable during competition season, offering pieces that are both musically satisfying and recognized by adjudicators. Consider pairing individual pieces from this book with non-method material in recital programs to showcase the range of styles students have mastered.

Skills your students will build

  • Reading advanced harmonic progressions and jazz-influenced chord patterns
  • Executing independent left-hand bass and accompaniment patterns while maintaining right-hand melodic clarity
  • Controlling bellows pressure for dynamic expression and phrase shaping
  • Interpreting and performing standards in classical, folk, and popular idioms with musical maturity
  • Preparing solo repertoire for festival adjudication and public performance

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