Over the River: Concert Band Conductor Score & Parts
Arranged by John Moss
Grade: 2
Item: 35-PK00320314
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Over the River - Full Score | $6.00 | |
| Over the River - Flute | $6.00 | |
| Over the River - Oboe | $6.00 | |
| Over the River - Bassoon | $6.00 | |
| Over the River - Bb Clarinet 1 | $6.00 | |
| Over the River - Bb Clarinet 2 | $6.00 | |
| Over the River - Bb Clarinet 3 | $6.00 | |
| Over the River - Eb Alto Clarinet | $6.00 | |
| Over the River - Bb Bass Clarinet | $6.00 | |
| Over the River - Eb Alto Saxophone 1 | $6.00 | |
| Over the River - Eb Alto Saxophone 2 | $6.00 | |
| Over the River - Bb Tenor Saxophone | $6.00 | |
| Over the River - Eb Baritone Saxophone | $6.00 | |
| Over the River - Bb Trumpet 1 | $6.00 | |
| Over the River - Bb Trumpet 2 | $6.00 | |
| Over the River - F Horn | $6.00 | |
| Over the River - Trombone | $6.00 | |
| Over the River - Baritone B.C. | $6.00 | |
| Over the River - Baritone T.C. | $6.00 | |
| Over the River - Tuba | $6.00 | |
| Over the River - Convertible Bass Line | $6.00 | |
| Over the River - Percussion 1 | $6.00 | |
| Over the River - Percussion 2 | $6.00 | |
| Over the River - Mallet Percussion | $6.00 | |
| Over the River - Timpani | $6.00 |
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Description
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More about this title
Why we love this
Moss strips away the expected 6/8 lilt and plants this melody firmly in 4/4, creating a fresh rhythmic energy that catches listeners off guard. The orchestration gives meaningful material to every section, so your band stays engaged throughout rather than settling into a background role. It's a smart choice for holiday programs that need repertoire beyond the usual reverent treatments.
What to expect
Bright and propulsive, with a modern rhythmic character that prevents this familiar melody from feeling tired. The 4/4 setting gives the tune a forward momentum while the careful voicing keeps it accessible and warm.
Who it's for
Grade 2 bands looking to add a winter concert piece that respects players' developing skills while avoiding oversimplification. Directors who want their ensemble to sound polished and purposeful during holiday performances.
How to get the most out of it
- Keep the tempo moving without rushing; the up-tempo marking should feel energetic but not frantic, and the two-minute fifteen-second duration depends on maintaining steady pulse.
- Balance the familiar melody with your accompaniment voices, since Moss scores supporting lines with genuine musicality rather than letting them fade behind a solo line.
- Mark the dynamic contours clearly in rehearsal so each section knows when to push forward and when to support; careful scoring only works when players recognize their role in the texture.
How to use it
Plant this in the middle or latter half of a holiday concert to shift the mood from reflective to celebratory, or pair it with other traditional arrangements to show how different compositional choices reshape familiar material. The compact duration makes it ideal for programs where you need effective repertoire without eating significant rehearsal time.
Skills your students will build
- Reading and executing consistent 4/4 pulse at an up-tempo pace
- Balancing melody with rhythmically active accompaniment lines
- Maintaining ensemble cohesion across all sections when every part carries musical weight
- Shaping dynamics and phrasing in a shorter, tightly structured form