Over the Rainbow Cover Image

Over the Rainbow: Flute Choir

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Over the Rainbow Cover Image

Over the Rainbow: Flute Choir

Lyrics by E. Y. Harburg, music by Harold Arlen / arr. Calvin Custer

Item: 00-29014

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Description
Ensemble for flute choir (1st C flute, 2nd C flute, 3rd C flute, 4th C flute, 5th C flute, guitar, bass, drums, and piano).

Download free full-performance and accompaniment recordings. Play along with the music and learn the correct style with the full-performance track. The accompaniment track includes only piano, guitar, bass, and drums, so if you don't have a rhythm section, you can play along with this track in rehearsal and performance.

Free Recording Downloads:
Full Performance Track
Accompaniment Track

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Over the Rainbow: Flute Choir comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Pages

Sample Audio
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2 Performance --:--

Accompaniment

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Sample Video
Additional Details
Series: Ensembles That Swing
Publisher: Alfred Music
Page Count: 48
UPC: 038081318141
SKU: 00-29014
Instrumentation: Flute Choir

More about this title

About the Composer: E. Y. Harburg

E. Y. Harburg (1896-1981) was a lyricist and songwriter whose words became synonymous with American musical theater and film during the Golden Age of Hollywood. He collaborated with composers like Harold Arlen to create some of the most enduring songs in popular music, including the Academy Award-winning "Over the Rainbow" from The Wizard of Oz. Harburg's gift lay in crafting lyrics that were both poetic and deeply human, often infusing his work with warmth, humor, and social consciousness.

Beyond his film work, Harburg remained active in theater throughout his career, contributing to Broadway productions and maintaining a commitment to socially meaningful storytelling. His influence on American songwriting extends to music education, where his melodies and accessible yet sophisticated lyrics continue to engage students across instrumental and vocal ensembles.

Why we love this

Calvin Custer's arrangement captures the dreamy, soaring quality that makes this melody unforgettable while giving each flute voice meaningful material to play. The inclusion of swing-style rhythm section parts (piano, guitar, bass, drums) transforms a classic into something contemporary and engaging for modern ensembles. The free accompaniment track means you can rehearse and perform this piece even without a full rhythm section, making it genuinely accessible programming.

What to expect

Nostalgic and hopeful, with the wistful beauty that defined the Golden Age of film music. The arrangement honors the melody's gentle soaring quality while infusing it with the rhythmic energy and contemporary feel of the "Ensembles That Swing" series, creating something that feels both timeless and fresh.

Who it's for

Flute choirs and advanced flute ensemble groups (high school and college) who want to expand beyond classical repertoire into accessible yet rewarding popular material. This arrangement works well for ensembles that include drummers, bass players, and pianists, or for groups looking to demonstrate flexibility by playing along with a professional backing track.

How to get the most out of it

  • Balance the melody across your five flutes rather than loading it onto the first part alone. This arrangement distributes the line intentionally, so listen carefully to which voice carries each phrase and adjust blend accordingly.
  • Use the full-performance track in early rehearsals to internalize the swing feel and style. The rhythm section's approach to the accompaniment will show you the groove your flutes should sit into.
  • Shape the harmonic voices (parts 2-5) with dynamic sensitivity. These voices support the melody but deserve subtle phrasing that mirrors the lyrical quality of the tune.
  • Lock the flute ensemble's articulation with the rhythm section by rehearsing with the accompaniment track. Pay attention to how the drums and bass define the style, and match that precision in your phrasing.

How to use it

This piece bridges classical and popular music convincingly, making it ideal for a concert that celebrates the flute choir's versatility. Program it alongside standard flute ensemble literature to show range, or use it as a finale that invites audience familiarity and warmth. The swing style and available accompaniment tracks also make it a strong choice for pops concerts or casual performance settings.

Skills your students will build

  • Swing style articulation and rhythm section interaction
  • Blending melody across multiple flute voices
  • Dynamic shaping of harmonic accompaniment parts
  • Ensemble precision with rhythm section (drums, bass, guitar, piano)
  • Playing with professional-quality backing tracks

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