Over And Done (from Schmigadoon!) (arr. Mac Huff) Sheet Music Preview

Over And Done (from Schmigadoon!) (arr. Mac Huff): SATB Choral Octavo

By Cinco Paul / As performed by Ariana DeBose / Arranged by Mac Huff

Item: 35-DS01325537

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Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-DS01325537

More about this title

About the Composer: Cinco Paul

Cinco Paul is a composer and lyricist who has carved out a distinctive voice in musical theater and film. His work on Schmigadoon! (the Apple TV+ series created by Lorne Michaels and Cinco Paul) showcases his talent for blending contemporary sensibility with the earnest conventions of classic musical theater, creating songs that are both affectionate parodies and genuinely moving pieces.

Why we love this

Mac Huff's arrangement captures the emotional honesty beneath the comedic surface of this song. The SATB texture allows for expressive ensemble work while the piece itself is playable by choirs at intermediate levels, making it accessible without feeling simplistic or thin.

What to expect

Upbeat and theatrical with an undercurrent of vulnerability, the song carries the distinctive flavor of modern musical comedy that winks at its own conventions while remaining emotionally grounded. Mac Huff's arrangement lets the humor land without camp, keeping the focus on the character's journey.

Who it's for

Choirs seeking contemporary material that programs well alongside both classic musical theater and modern a cappella repertoire. The piece works particularly well for groups wanting to showcase versatility in a concert or for advanced high school and college ensembles.

How to get the most out of it

  • Balance the harmonic layers carefully in the inner parts; the alto and tenor lines carry important color that shouldn't disappear under the sopranos and basses.
  • Shape the text with theatrical awareness. This is comedy rooted in genuine feeling, so avoid playing only the humor or only the sentiment.
  • Pay attention to the phrasing across phrase boundaries so the song breathes naturally rather than feeling segmented by the octavo format.

How to use it

Include this in a program celebrating contemporary musical theater songwriting, or pair it with other recent film and television vocal music to show your singers' range. It also works as a lighter moment in a concert where it can follow more serious material.

Skills your students will build

  • Phrasing across four-part harmonic textures
  • Character and dramatic interpretation in an ensemble context
  • Stylistic awareness of contemporary musical theater conventions
  • Maintaining ensemble balance when inner parts carry significant harmonic responsibility

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