Over And Done (from Schmigadoon!) (arr. Mac Huff): SAB Choral Octavo

Mac Huff's SAB voicing captures the song's comedic timing and emotional arc without sacrificing singability or harmonic interest. The arrangement sits comfortably across three parts while maintaining the pop sensibility of the original, making it accessible for middle-level choirs who still want contemporary repertoire with character.

Sardonic and propulsive, with moments of surprising tenderness beneath the surface snark. The music mirrors the song's emotional complexity, building from deflection into genuine vulnerability, all wrapped in a package that sounds like a pop song your students actually want to sing.

Choirs performing at the high school or early college level who want to program contemporary musical theater with genuine humor and heart. Directors looking for material that appeals to student singers while remaining substantive enough for concert contexts.

• Nail the rhythmic precision in the verse sections; the humor lives in the crisp delivery and deliberate phrasing, not in rushing through the text.
• Shape the dynamic arc carefully around the emotional turns in the lyric so the comedy lands without feeling forced or oversold.
• Balance the altos and sopranos in passages where they're moving independently; blend matters more than blend-through-dominance here.

Pair this with other Schmigadoon! selections for a movie musical showcase, or slot it into a concert exploring humor and storytelling in contemporary choral writing. Its satirical edge makes it especially effective as a palate cleanser between heavier pieces.

• Executing rhythmic precision in pop-influenced harmonic settings
• Differentiating character voice from technical execution
• Balancing three independent vocal lines with textural clarity
• Responding to comedic timing through phrase shaping and dynamic control