Outshout The Lies: Choral Instrumental Pak
By Richie Fike / By Sean Mulholland / Arranged by Harold Ross
Item: 35-PK00195612
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Why we love this
The orchestral arrangement gives this contemporary sacred work genuine symphonic weight without requiring a massive ensemble. Harold Ross has voiced it so that each section of the orchestra plays a purposeful role, making the choral message land with real conviction rather than relying on production tricks.
What to expect
Direct and unapologetic. The piece grips you with affirmation rather than melancholy reflection, building momentum through repetition and orchestral layering to create something that feels both personal and communal.
Who it's for
Choirs with access to orchestral instrumentation (or the ability to use recorded orchestral accompaniment) who want to program meaningful contemporary sacred music that speaks clearly. This works especially well for groups seeking pieces that blend modern songwriting sensibility with traditional choral writing.
How to get the most out of it
- Balance the choir's declarations against the orchestral texture by having your ensemble project with intention rather than volume; the arrangement will carry the weight.
- Pay attention to the orchestration cues for breath marks and phrase endings; they guide both the singers and instrumentalists to move as one dramatic unit.
- Shape the dynamic arc across the 4:30 duration so that the proclamation feels earned rather than sustained at full intensity from start to finish.
How to use it
Place this in a program where you want to create a turning point, a moment of confident declaration. It pairs well with quieter, more introspective pieces earlier in your concert, offering contrast and emotional release.
Skills your students will build
- Singing with intention and projection in contemporary harmonic settings
- Responding to orchestral cues and ensemble interdependence
- Sustaining emotional commitment over extended passages without sacrificing vocal health
- Interpreting text that prioritizes clarity and directness