Barratt writes marches that actually sound like marches without relying on tired formulas. The orchestration sits beautifully across a full band, and there's genuine personality in the harmonic movement that keeps both players and listeners engaged.
What to expect
A march with direction and purpose, carrying you forward without feeling mechanical. There's a sense of confident motion paired with harmonic sophistication that appeals to both performers and audiences.
Who it's for
This works for bands at the intermediate to advanced level seeking a concert march with substance. It suits groups looking to program something engaging without the baggage of overused standards.
How to get the most out of it
Establish the pulse early in rehearsal by isolating the march's characteristic rhythmic figure; once the ensemble locks this, the rest falls into place naturally.
Balance the melodic line against the counter-melody so neither overwhelms. The interplay between voices is where this march finds its character.
Shape phrases with subtle dynamic swells rather than dramatic drops. Marches benefit from forward momentum, and restraint keeps the effect clean.
How to use it
Open a concert with this to set an energetic tone, or place it strategically in the middle section to shift momentum. It pairs well alongside lighter character pieces or as a counterweight to more introspective repertoire.
Skills your students will build
Maintaining steady pulse through repeated rhythmic figures
Balancing melodic independence within ensemble texture
Executing articulation patterns typical of march style
Shaping phrasing within metric structures
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