Our God (arr. Heather Sorenson): SATB Choral Octavo

Heather Sorenson's arrangement respects the inherent strength of Tomlin's composition while giving your SATB choir genuine musical work. The octavo length keeps it accessible for rehearsal schedules, yet the harmonic language and voice leading reward close attention from singers who want to dig deeper.

The arrangement carries quiet conviction, building from intimate verse writing toward moments of confident assertion. There's warmth in the harmonic palette and clarity in the text setting that feels natural for singers rather than forced.

Choirs seeking contemporary worship music with substance will find this arrangement both singable and artistically satisfying. Whether your ensemble leans liturgical or evangelical, this piece bridges musical traditions without sacrificing authenticity.

• Establish the harmonic foundation early by having altos and tenors lock their parts separately before full ensemble rehearsal; these inner voices carry crucial color changes.
• Shape phrases by threading the melody through the choir rather than treating each voice part as isolated; awareness of who holds the tune at any moment prevents the arrangement from feeling static.
• Balance dynamic restraint in the verse sections against fuller sonorities later; this architecture gives the piece room to grow and keeps listeners engaged across six pages.

Consider placing this in a concert section devoted to modern hymnody, where it can stand alongside both traditional standards and newer worship compositions. The piece also works effectively as a service music option for choirs that blend liturgical and contemporary elements.

• Singing sustained harmonic structures with independent voice parts
• Balancing blend across SATB voicings without sacrificing phrase direction
• Interpretation of contemporary choral writing with lyrical sensitivity
• Part independence while maintaining awareness of larger melodic shape