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Our Children: SATB Choral Octavo

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Our Children Cover Image

Our Children: SATB Choral Octavo

From the Musical Ragtime

Lyrics by Lynn Ahrens, music by Stephen Flaherty / arr. Jeff Funk

Item: 00-CH9853

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Description
Pre-Broadway runs of the Stephen Flaherty and Lynn Ahrens musical Ragtime played to packed houses in Toronto and Los Angeles. Now on Broadway, it's one of the toughest tickets to get in New York. Sure to make an incredible impact on the '98 Tony awards, this show is a winner! 'Our Children' is a touching ballad sung by parents reflecting on their children. It's wonderful!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Our Children: SATB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Archive Edition: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 8
UPC: 029156908251
SKU: 00-CH9853

More about this title

About the Composer: Stephen Flaherty

Stephen Flaherty has built a career as a composer for musical theater, working frequently with lyricist Lynn Ahrens. Their collaboration on Ragtime marked a significant achievement in Broadway history, bringing turn-of-the-century American social themes to the musical stage with both emotional depth and theatrical scope. His work spans both Broadway productions and film scores, demonstrating a gift for melody that serves narrative and character with equal skill.

Flaherty's music draws from diverse musical traditions and time periods, tailoring his compositional voice to each project's dramatic needs. For music educators, his choral writing proves accessible without sacrificing sophistication, making his Broadway material viable for high school and community choirs seeking contemporary repertoire with theatrical substance.

Why we love this

This arrangement captures the emotional core of Ragtime's most intimate moment, giving choirs direct access to Broadway-quality material that feels genuinely singable across all four voice parts. The piece works equally well as a concert finale or as a bridge into musical theater study, introducing students to a composer whose craft rewards close listening and musical maturity.

What to expect

A moment of quiet tenderness amid the pageantry of Ragtime's larger narrative. The arrangement preserves the song's introspective quality: warm harmonies, restrained orchestration, and lyrics that resonate with any adult reflecting on family and time. Singers feel the weight of genuine emotion rather than theatrical display.

Who it's for

High school choirs and community ensembles seeking contemporary choral literature rooted in Broadway storytelling. This octavo works for mixed voices at intermediate to advanced levels, particularly programs interested in exploring musical theater repertoire beyond traditional show tune arrangements.

How to get the most out of it

  • Balance the harmonic movement carefully in the middle sections; Funk's arrangement supports four distinct lines, and each voice part carries melodic weight that shouldn't disappear into accompaniment texture.
  • Shape the text expressively without overdoing dynamics. The emotional pull of parents reflecting on their children lives in restraint and clarity of diction, not volume.
  • Work the key changes (if present in the arrangement) with deliberate attention to intonation; modulations in reflective ballads often expose pitch drift.
  • Let the recorded accompaniment (if available separately) guide your tempo and harmonic framework during rehearsal, but encourage singers to breathe together as an ensemble rather than following the track.

How to use it

Program this as a choral centerpiece on a concert that celebrates Broadway's capacity for intimate storytelling, pairing it with other theatrical ballads or using it as a solo showcase for your ensemble's ability to sustain lyrical tone. It also serves as an excellent introduction to Ragtime's score for students studying American musical theater history.

Skills your students will build

  • Sustaining lyrical line across longer phrases without breath interruption
  • Balancing four independent voice parts while maintaining harmonic cohesion
  • Interpreting Broadway-style text with emotional specificity
  • Understanding how arrangement supports character and dramatic context
  • Performing contemporary choral music with stylistic authenticity

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