Otra Vez: Jazz Ensemble Conductor Score

Biondi writes for real student ensembles without talking down to them. The scalewise approach to the trumpet line removes technical barriers while keeping the groove authentic and the solo changes genuinely fun to navigate.

A warm, driving samba that stays grounded and accessible while delivering genuine Latin flavor. The piece breathes with the kind of relaxed energy that comes from a composer who understands what young musicians can handle while still making them feel like working professionals.

Jazz ensemble directors working with Grade 3 groups who want to introduce Latin feels without overwhelming their trumpet section with technical demands. Players who thrive on rhythmic clarity and the freedom to improvise will find solid ground here.

• Lock the rhythm section into a steady samba pulse early in rehearsal. The groove sits at the foundation of everything else.
• Give trumpet and tenor soloists plenty of space to experiment with their changes. These aren't set melodies; they're invitations to improvise.
• Balance the head carefully between trumpet and tenor so both voices cut through without stepping on each other.

Pair this with straightahead swing tunes to show your ensemble the range of jazz styles within reach at this level. The medium-easy difficulty makes it ideal for mid-year programming when students have found their footing but still need room to grow into improvisation.

• Samba rhythm patterns and Latin ensemble feel
• Improvisation over chord changes
• Trumpet scalar technique in upper register
• Section balance in a featured-soloist context