Othello: A Symphonic Portrait in Five Scenes for Brass Ensemble After Shakespeare Cover Image

Othello: A Symphonic Portrait in Five Scenes for Brass Ensemble After Shakespeare: Brass Duo & Ensemble, Choir, Conductor Score (LUDWIGMASTERS)

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Othello: A Symphonic Portrait in Five Scenes for Brass Ensemble After Shakespeare Cover Image

Othello: A Symphonic Portrait in Five Scenes for Brass Ensemble After Shakespeare: Brass Duo & Ensemble, Choir, Conductor Score (LUDWIGMASTERS)

By Alfred Reed

Item: 36-M357901

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Description
This concert suite includes five movements, each characterizing musically the mood or feeling generated from William Shakespeare's OTHELLO and prefaced by a quote from the text itself. Resulting from a request to the composer by the Miami Ring Theater to compose incidental music for their 1974 production of OTHELLO, the music for sixteen brass and four percussion reflects the director's conviction that almost the entire play takes place on a military encampment in a time of war, and so is imbued with the tenseness and uncertainty of the time and place of the story. Alfred Reed later took the material and recomposed it for a concert band setting. The present setting, drawn from both the original score and the expanded one for band, retains both the scoring and color of the original instrumentation for its stage use, as well as the purely musical re-working of the material as a developed concert piece. Movements: I. Prelude (Venice), II. Adbade (Cyprus), III. Othello and Desdemona, IV. Entrance of the Court, V. The Death of Desdemona, Epilogue

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Additional Details
Series: Master Brass Series - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-810555-X
ISBN13: 979-889-810-5556
UPC: 605258828033
SKU: 36-M357901
Instrumentation: Brass Choir

More about this title

About the Composer: Alfred Reed

Alfred Reed (1921, 2005) was an American composer and conductor whose catalog spans band music, orchestral works, and theatrical scores. He studied composition with George Frederick McKay and became known for his ability to write idiomatically for brass and woodwind ensembles while maintaining sophisticated harmonic language and dramatic sweep. Reed's work as a guest conductor and clinician made him a central figure in American band music pedagogy for decades.

Why we love this

Reed captures the psychological turbulence of Shakespeare's tragedy without relying on obvious references or simple tone painting. The five-movement arc moves with theatrical intelligence, and the lean brass and percussion scoring creates an immediacy and tension that larger ensembles can obscure. This is sophisticated dramatic music that demands and rewards close musical attention from players and audiences alike.

What to expect

The music moves between moments of martial hardness and unexpected tenderness, reflecting the military setting and the private tragedy at the play's heart. Dissonance and tonal instability underscore the psychological unease that drives the drama, while moments of consonant repose offer brief refuge before tension returns.

Who it's for

Conductors of college and advanced high school brass ensembles who want to program concert music with intellectual and emotional substance. This score works equally well for musicians approaching it as a concert piece or as supporting material for a staged or dramatic reading of the play.

How to get the most out of it

  • Balance the brass voices carefully in the Prelude; the underlying harmonic movement should emerge clearly even as the top lines carry thematic material.
  • Shape the Aubade with transparency and air; the military encampment setting calls for clarity of line rather than dense sonority.
  • Attend to dynamic nuance in the Othello and Desdemona movement; the emotional weight lives in restraint and gradual intensification, not in fortissimo outbursts.
  • Use the structural silence and gaps between sections as part of the storytelling; resist the impulse to fill them.

How to use it

Program this as the centerpiece of a concert built around dramatic or literary themes, pairing it with other works inspired by literature or theater. The five-scene structure allows you to use individual movements as concert openers or transitions between larger works, or present the entire suite as a standalone feature that showcases both the brass ensemble's technical control and its interpretive depth.

Skills your students will build

  • Balancing multiple brass voices while maintaining harmonic clarity
  • Responding to dramatic structure and emotional arc in instrumental music
  • Executing dynamic control across a range of textures and densities
  • Sight-reading complex rhythmic and harmonic language
  • Collaborative listening within a small ensemble setting

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