Oseh Shalom (arr. Sally Lamb McCune) Sheet Music Preview

Oseh Shalom (arr. Sally Lamb McCune): SATB Choral Octavo

Arranged by Sally Lamb McCune

Item: 35-DS00431213

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Additional Details
Publisher: Hal Leonard
Page Count: 13
SKU: 35-DS00431213

More about this title

About the Arranger: Sally Lamb McCune

Sally Lamb McCune is a choral arranger with a gift for making meaningful texts accessible to singers at all levels. Her arrangements honor the emotional core of their source material while crafting singable, idiomatic parts that respect both the voice and the music.

McCune's work spans sacred and secular repertoire, drawing on her deep understanding of how choral voices function together. She has contributed significantly to the catalog of arrangements available to directors seeking quality settings of important texts.

Why we love this

McCune's setting opens up this beloved Hebrew prayer to singers who might not have experience with Jewish liturgical music, without simplifying or diminishing its spiritual weight. The arrangement feels immediate and singable, yet it carries the dignified character the text deserves. This is the kind of piece that builds musical community across different choir members' backgrounds.

What to expect

There's a gentle, centering quality to this piece. The music carries a sense of peace and reconciliation that seems to settle in as singers find their parts. The prayer for peace becomes palpable in the harmonic movement and the way voices come together.

Who it's for

This octavo works for any SATB choir seeking to expand their engagement with Jewish sacred music. It's especially valuable for programs aiming to represent diverse cultural and religious traditions, and for singers looking to develop facility with texts outside their familiar musical vocabulary.

How to get the most out of it

  • Shape the phrases with intention; this text calls for clarity in the words even when the music flows expressively. Let the meaning guide your dynamic choices.
  • Balance the inner voices with care, especially where the alto and tenor lines support the main melodic idea. They're not filler parts.
  • Consider how the arrangement's harmonic language might sit differently for singers unfamiliar with this tradition. A brief conversation about the text and its context can deepen investment in the performance.

How to use it

Include this in programs focused on prayers, blessings, or interfaith themes. It pairs well with other settings of peace texts from different traditions, or stands alone as a powerful closing moment for a concert. The modest page count makes it easy to add without displacing other repertoire.

Skills your students will build

  • Singing text in Hebrew with accurate pronunciation and natural phrasing
  • Balancing inner voice independence with chordal blend
  • Understanding how McCune's harmonic language creates movement and resolution
  • Performing music from traditions outside one's own background with respect and conviction

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