Ordinary Miracle (arr. Rick Hein) Sheet Music Preview

Ordinary Miracle (arr. Rick Hein): 2-Part Choral Octavo

By Dave Stewart / By Glen Ballard / As performed by Sarah McLachlan / Arranged by Rick Hein

Item: 35-DS00131219

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Additional Details
Publisher: Hal Leonard
Page Count: 6
SKU: 35-DS00131219

More about this title

About the Composer: Dave Stewart

Dave Stewart is a Scottish musician and producer whose songwriting spans rock, pop, and film work. As one half of Eurythmics and a prolific solo artist, he has crafted songs that blend emotional directness with sophisticated arrangements, earning him recognition across multiple genres and audiences.

Why we love this

Rick Hein's arrangement captures the intimate warmth of this film song while making it genuinely singable for young or developing voices. The 2-part voicing allows you to cast this across mixed ability levels without sacrificing the emotional core that makes the song resonate.

What to expect

Hopeful and grounded. The melody carries an unhurried quality that invites singers to connect emotionally without strain. There's a quiet wisdom in the lyrical content that pairs beautifully with straightforward, honest singing.

Who it's for

Middle school through adult choirs seeking accessible pop repertoire with real musical substance. The 2-part voicing makes this ideal for treble ensembles, developing mixed choirs, or any group wanting contemporary material that doesn't demand advanced vocal ranges.

How to get the most out of it

  • Balance the melody line so it floats clearly above any harmonic support; this arrangement thrives on transparency rather than weight.
  • Let the lyrics breathe naturally. The song's title itself invites singers to find conversational phrasing rather than over-dramatizing the sentiment.
  • Explore dynamics gradually across the form. Starting understated gives you room to build genuine connection by the final section.

How to use it

Place this in a spring or year-end concert where you want to shift the emotional temperature toward reflection and uplift. It pairs naturally with other accessible pop arrangements or sits effectively as a bridge between classical and contemporary selections.

Skills your students will build

  • Legit pop phrasing and lyrical storytelling
  • Part independence in simple two-part texture
  • Dynamic control and vocal economy in contemporary styles
  • Ensemble blend and balance in homophonic writing

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