Orchestral Repertoire: Complete Parts for Viola from the Classic Masterpieces, Volume I Cover Image

Orchestral Repertoire: Complete Parts for Viola from the Classic Masterpieces, Volume I: Viola Book

$9.95 USD
Sale price  $9.95 USD Regular price 
Skip to product information
Orchestral Repertoire: Complete Parts for Viola from the Classic Masterpieces, Volume I Cover Image

Orchestral Repertoire: Complete Parts for Viola from the Classic Masterpieces, Volume I: Viola Book

Item: 00-K02193

$9.95
Shipped

One moment…

Description
Kalmus offers the complete parts to select masterworks for viola. Each volume includes major orchestral works that include standard audition repertoire and widely known difficult passages. These books are great for the student to practice and learn excerpts, or for the professional musician preparing for an audition. Important works represented in these collections include: The Four Seasons (Vivaldi) * Cello Concerto in C Major (Haydn) * Requiem (Mozart) * The Planets (Holst) * The Carnival of the Animals (Saint-Saëns) * The Three-Cornered Hat (de Falla) * Carmen Suite No. 1 (Bizet) * Holberg Suite (Grieg).

Orchestral Repertoire: Complete Parts for Viola from the Classic Masterpieces, Volume I: Viola Book isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Kalmus Edition
Publisher: Alfred Music
Page Count: 56
ISBN10: 0-7579-9311-7
ISBN13: 978-0-7579-9311-4
UPC: 654979034469
SKU: 00-K02193

More about this title

Why we love this

This collection solves the real problem of scattered audition prep by gathering eight major orchestral excerpts into one book, each chosen for the passages that actually appear on audition lists. Viola players at this level benefit enormously from having the exact context of these famous works rather than practicing isolated excerpts, and the range of compositional styles keeps both the learning and the performing fresh across 56 pages.

What to expect

Eight centuries of orchestral tradition compressed into one practice book. You move from the Baroque precision of Vivaldi to the Romantic sweep of Holst and the Spanish color of de Falla, each piece demanding something different from your bow arm, your ear, and your musical maturity.

Who it's for

Viola students preparing for orchestral auditions or chair placements, and professionals refreshing their knowledge of standard excerpt repertoire. This book works equally well for someone building audition confidence over several months or for an experienced player running through a checklist of passages before a real audition.

How to get the most out of it

  • Study the full orchestral context before drilling your part in isolation. Knowing what the violins and cellos are doing helps you anchor your phrasing and balance in ensemble.
  • Mark any passages that commonly trip up audition candidates in your part before rehearsal, then give them extra slow-practice time weekly.
  • Compare your part across different editions or recordings to notice where interpretive choices (tempo flexibility, articulation clarity) matter most in these famous works.

How to use it

Use this to structure a viola sectional focused on standard repertoire that students will encounter in youth orchestras, regional orchestras, or college auditions. The eight works also span different historical periods, making this useful for ensemble directors who want to introduce orchestral style and history in context.

Skills your students will build

  • Navigating long rests and re-entry passages in orchestral texture
  • Executing the fast figuration and scalar runs typical of Classical concerto writing
  • Balancing sustained harmonic parts with exposed solo lines
  • Reading parts with key signature changes across major orchestral works
  • Translating conductor cues and rehearsal numbers into musical preparation

You May Also Like