Orangatango: Jazz Ensemble Conductor Score & Parts
By Rick Stitzel
Grade: 1.5
Item: 35-PK00295632
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Orangatango - Conductor Score (Full Score) | $6.00 | |
| Orangatango - Alto Sax 1 | $6.00 | |
| Orangatango - Alto Sax 2 | $6.00 | |
| Orangatango - Tenor Sax 1 | $6.00 | |
| Orangatango - Tenor Sax 2 | $6.00 | |
| Orangatango - Baritone Sax | $6.00 | |
| Orangatango - Trumpet 1 | $6.00 | |
| Orangatango - Trumpet 2 | $6.00 | |
| Orangatango - Trumpet 3 | $6.00 | |
| Orangatango - Trombone 1 | $6.00 | |
| Orangatango - Trombone 2 | $6.00 | |
| Orangatango - Trombone 3 | $6.00 | |
| Orangatango - Guitar | $6.00 | |
| Orangatango - Piano | $6.00 | |
| Orangatango - Bass | $6.00 | |
| Orangatango - Drums | $6.00 | |
| Orangatango - Vibes | $6.00 | |
| Orangatango - Flute | $6.00 | |
| Orangatango - Bb Clarinet 1 | $6.00 | |
| Orangatango - Bb Clarinet 2 | $6.00 | |
| Orangatango - F Horn | $6.00 | |
| Orangatango - Tuba | $6.00 |
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Description
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More about this title
About the Composer: Rick Stitzel
Rick Stitzel has built a reputation for composing accessible jazz charts that respect young musicians' abilities while refusing to compromise on musicality. His approach to ensemble writing emphasizes clarity and engagement, making him a go-to composer for directors seeking material that sounds mature without requiring advanced technical demands.
Why we love this
Stitzel strips away the complexity that often intimidates beginning jazz ensembles, yet the tango idiom brings genuine sophistication to a straightforward ensemble chart. The repeated rhythmic figures make this immediately learnable, while the full-group scoring keeps everyone engaged and invested in the sound from rehearsal one.
What to expect
The tango rhythm permeates every measure, drawing the ensemble into a warm, slightly exotic groove. It is energetic yet controlled, with everyone moving together in service of a cohesive ensemble sound rather than competing for attention.
Who it's for
Young jazz ensembles stepping into their first original charts will find Orangatango accessible and rewarding. Directors of beginning groups need material that sounds polished without requiring soloists or advanced reading skills.
How to get the most out of it
- Lock the ensemble into the rhythmic patterns early; these grooves anchor the entire piece, so spend rehearsal time grooving together before worrying about balance.
- Let the tango pulse drive the tempo. This style lives and dies by rhythmic precision, so establish a steady foundation before layering harmonic colors.
- Balance the brass with restraint. The modest ranges mean sections blend easily, so resist the urge to let them dominate; support from the rhythm section keeps the tango character intact.
How to use it
Slot this into a concert program as a second or third selection to showcase your ensemble's grasp of jazz style beyond swing. It works especially well on a program mixing jazz and concert repertoire, signaling to audiences that your students can navigate different idioms with maturity.
Skills your students will build
- Reading and performing consistent rhythmic ostinatos
- Understanding and executing tango rhythmic feel
- Blending within sections using modest ranges
- Ensemble cohesion without reliance on solo spotlight
- Responding to conductor in a jazz context