Oo, Barbecue!: SAB Choral Octavo

Shaw writes novelty numbers that actually work in rehearsal and performance because they're built on solid vocal writing, not gimmicks. The SAB voicing makes this accessible to mixed choirs without sacrificing the jazz vocabulary and rhythmic sophistication that keeps singers engaged. A piece this fun shouldn't feel trivial, and Shaw's track record proves he knows how to balance entertainment with musicianship.

High-energy and playful, with the rhythmic snap of jazz phrasing underscoring a subject matter that's instantly relatable and tongue-in-cheek. Singers get to explore groove-based singing and contemporary pop-influenced harmonies without leaving behind the clarity and musicality expected in choral music.

Choirs seeking a crowd-pleasing number that demonstrates jazz phrasing and contemporary rhythm without requiring extended vocal ranges or complex harmonic concepts. SAB voicing keeps this within reach for developing or mixed-ability ensembles while maintaining the fun and sassiness that audiences expect from a Shaw novelty piece.

• Lock the offbeat syncopation early in rehearsals; the rhythmic drive is what sells the personality of this piece
• Encourage rhythmic precision in the text setting rather than overacting the barbecue concept; let the music do the comedic work
• Shape each section with clear dynamics so the piece builds energy rather than flatting out as a one-joke novelty

Perfect for a spring or end-of-year concert where you want to shift the energy and show your singers' range beyond classical repertoire. Pair this with a ballad or traditional piece earlier in the program so the novelty lands fresh, or use it as a program closer that sends audiences out smiling.

• Jazz phrasing and rhythmic interpretation in a choral context
• Syncopated rhythm reading and execution
• Contemporary harmonic language and voice leading
• Ensemble communication through rhythmic precision