Only You Sheet Music Preview

Only You: SATB Choral Octavo

As performed by Vince Clark / As performed by Anne Raugh / Arranged by Deke Sharon

Item: 35-DS00308692

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Additional Details
Publisher: Hal Leonard
Page Count: 7
SKU: 35-DS00308692

More about this title

About the Artist: Vince Clark

Vince Clark is the keyboardist and primary songwriter of Depeche Mode, one of electronic music's most influential bands. His synth-driven compositions shaped the sound of 1980s pop and continue to resonate across genres. In the context of choral music, Clark's melodic sensibility translates remarkably well to vocal arrangements, giving singers memorable lines and emotional substance to work with.

Deke Sharon's arrangement brings Clark's original to the a cappella idiom with care and musicality. Sharon is one of the most recorded and performed choral arrangers in America, known for his ability to honor a song's essence while making it singable and engaging for vocal ensembles.

Why we love this

This arrangement captures everything that makes the original enduring: a simple, elegant melody wrapped in emotional directness. Sharon's voicing sits comfortably for mixed voices while preserving the song's intimate character, making it accessible for groups ranging from beginning to experienced singers without losing sophistication.

What to expect

Intimate and reflective, built on a melody that feels simultaneously spare and complete. The a cappella texture removes production gloss and places the emotional weight directly on the singers' voices, creating something quiet but affecting.

Who it's for

Groups looking for a contemporary pop song that works in a cappella settings without oversimplification. The seven-page score accommodates choirs with solid reading skills and vocal control, though the melodic content appeals to singers of varying experience levels.

How to get the most out of it

  • Focus the blend in the soprano line early in rehearsals. The melody sits high and needs clarity without brightness that feels thin. Balance the supporting voices just underneath.
  • Shape the phrase endings with intentionality. A cappella singing can blur dynamic contours, so mark subtle diminuendos and track breath points that serve the song's arc.
  • Record a rough mix of all four parts during the learning phase. Singers often discover intonation issues and voicing balance problems faster by listening back than through rehearsal feedback alone.
  • Commit to a consistent vowel color across the piece. Minor shifts in how voices modify vowels become obvious in a cappella context and undermine blend.

How to use it

Pair this with other contemporary pop arrangements to build a set that connects with audiences beyond traditional choral repertoire. It works well as a concert opener or closer, offering a moment of stillness and connection before transitioning to larger ensemble pieces.

Skills your students will build

  • Maintaining intonation in a cappella settings without instrumental reference
  • Balancing melodic clarity with harmonic support across four parts
  • Shaping longer phrases with dynamic control and intentional breath placement
  • Blending contemporary arranging idioms with classical vocal technique

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