One Tin Soldier: Choral Instrumental Pak
As performed by Kirby Shaw / As performed by Coven
Item: 35-PK00029912
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About the Artist: Kirby Shaw

Kirby Shaw brings decades of choral expertise to music education across North America and Europe. Holding degrees in Music Education and Choral Composition from San Jose State University and a DMA in Choral Conducting from the University of Washington, Shaw has built a career on infectious energy and deep musical knowledge. He founded and directed the acclaimed COS Vocal Jazz Ensemble at College of the Siskiyous and later led similar programs at Colorado State University and the University of Missouri at Kansas City before establishing the Jefferson State Choral Coalition at Southern Oregon University.
As a prolific composer and arranger with over 2500 published works performed globally, Shaw has collaborated with jazz legends including Bobby McFerrin, Al Jarreau, and Jon Hendricks. His arrangements have sold nearly 20 million copies and earned multiple ASCAP awards. Shaw is also a member of Just 4 Kicks, a jazz-focused a cappella quartet, and recently collaborated with his wife on an original musical adaptation of A Christmas Carol.
Why we love this
Shaw's arrangement captures the haunting power of this folk anthem while keeping the jazz-inflected instrumentation accessible and fun. The combo instrumentation strikes that rare balance between sophistication and playability, giving your students real jazz ensemble experience without overwhelming them. This is the kind of repertoire that reminds singers why they joined choir in the first place.
What to expect
Contemplative and wry, with an underlying urgency beneath the surface calm. The arrangement honors the original's gravity while letting the instrumentation add color and occasional humor, creating space for genuine emotional connection.
Who it's for
This pak works for concert choirs seeking a contemporary arrangement that engages both singers and instrumentalists. It fits equally well in a pop or jazz context and gives younger ensembles real-world experience blending voices with a working band.
How to get the most out of it
- Set the drums with brushes for the verses to preserve the acoustic, introspective quality before moving to sticks for the final chorus.
- Balance the tenor sax in the countermelody passages; it should weave through rather than compete with the vocal line.
- Work with your guitar player on dynamic control through the bridge. The accompaniment can either support or push the arrangement depending on how you shape the phrase.
- Lock in the bass and drums early in rehearsal. Their pocket directly affects how grounded the singers feel, especially through the slower sections.
How to use it
Slot this into a spring concert alongside lighter fare to anchor the second half with something that lands deeper. It also serves as a bridge repertoire piece between your concert choir and jazz combo, giving both groups a shared commitment and performance goal.
Skills your students will build
- Blending with jazz instrumentation while maintaining choral integrity
- Sustaining long phrases over active instrumental accompaniment
- Responding to dynamic and textural shifts within a single arrangement
- Interpreting period musical storytelling with modern harmonic language