One-Three Quarters Cover Image

One-Three Quarters: Chamber Ensemble Score & Parts

$63.00 USD
Sale price  $63.00 USD Regular price 
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One-Three Quarters Cover Image

One-Three Quarters: Chamber Ensemble Score & Parts

for Piccolo (flute), Violin, Violoncello, Trombone, Tuba and Two Pianos

By Teo Macero

Item: 98-EP66178

$63.00
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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 50
ISBN10: 0-30-071839-X
ISBN13: 979-0-3007-1839-2
SKU: 98-EP66178

More about this title

About the Composer: Teo Macero

Teo Macero (1925-2008) was an innovative composer, conductor, and producer whose work spanned classical composition, jazz, and experimental music. A graduate of Juilliard, he composed for orchestra, chamber groups, and ballet while also serving as a legendary recording engineer and producer at Columbia Records, where he shaped the sound of Miles Davis's electric period and countless other landmark recordings.

Why we love this

Macero's chamber writing balances structural rigor with an openness to unexpected sonorities and instrumental combinations. This score offers the kind of intellectual engagement and sonic exploration that appeals to ensembles ready to move beyond standard repertoire into more adventurous contemporary territory.

What to expect

The music unfolds with a sense of deliberate exploration, mixing moments of clarity with passages that challenge conventional harmonic and timbral expectations. There is intelligence and restraint throughout, avoiding easy effects in favor of precise instrumental writing.

Who it's for

This score and parts work well for chamber ensembles with some performance experience and an interest in twentieth-century concert music. It suits groups preparing for contemporary music festivals, academic recitals, or concert series focused on American composition.

How to get the most out of it

  • Balance the ensemble carefully in rehearsal; Macero's scoring often layers independent lines that need clear separation rather than blending
  • Pay close attention to dynamic markings and articulation changes, as they shape the character more than melodic content does
  • Take time to map out the formal structure in sectional rehearsals before running through; knowing where you are in the architecture helps clarify ensemble entrances

How to use it

Position this alongside other mid-century American chamber works to build a concert around compositional innovation and experimentation. It works particularly well in programs that trace connections between concert composition and jazz influence on classical forms.

Skills your students will build

  • Reading complex rhythmic figures and syncopation across multiple instrumental parts
  • Ensemble balance and independence in non-traditional harmonic contexts
  • Interpreting twentieth-century notation and performance directives
  • Understanding form in contemporary chamber music

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