One Step Away Sheet Music Preview

One Step Away: SATB Choral Octavo

As performed by Bernie Herms / As performed by Matthew West / As performed by Casting Crowns / As performed by John Mark Hall / Arranged by Ed Hogan

Item: 35-DS00385307

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Additional Details
Publisher: Hal Leonard
Page Count: 14
SKU: 35-DS00385307

More about this title

About the Artist: Bernie Herms

Bernie Herms is a songwriter and producer whose work has shaped contemporary Christian music for over two decades. His compositions balance accessibility with musical substance, creating songs that work equally well in congregational settings and professional recording studios.

Why we love this

Ed Hogan's arrangement captures the song's emotional arc without oversimplifying it; the SATB voicing sits naturally across all four parts, and the progression builds with genuine musical logic rather than just stacking voices. This is the kind of arrangement that sounds effortless in performance but requires careful attention to voice leading and blend to achieve that effect.

What to expect

The song moves with quiet conviction, building from introspective verses into moments of genuine uplift. Harmonically warm and never precious, it invites the singers into genuine expression rather than theatrical delivery.

Who it's for

Choirs of intermediate ability and above who want contemporary sacred repertoire with substance. This works for worship services, concert programs, and service music contexts where you need something current but thoughtfully composed.

How to get the most out of it

  • Establish the harmonic foundation early by drilling the bass line separately; it anchors the arrangement's emotional journey.
  • Balance the soprano melody against supporting voices so the tune emerges clearly without drowning out the inner parts.
  • Shape phrases collectively as one choir rather than allowing each section to interpret the dynamics independently; this unifies the sound across all parts.
  • Listen carefully to how the arrangement handles the climactic moment and plan your rehearsal around nailing the transition into that section.

How to use it

Pair this with other contemporary sacred work during a winter or spring concert that honors current songwriting without abandoning musical rigor. It also serves effectively as a closing number when you want the audience to leave with something they can hold onto emotionally.

Skills your students will build

  • Sustaining tone through longer phrases at moderate tempos
  • Blending four independent melodic lines into unified harmonic texture
  • Interpreting contemporary lyrical content with vocal maturity
  • Balancing part independence with collective phrasing

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