One Of The Boys (from Woman Of The Year): Lead Sheet / Fake Book

Confident and self-assured, with a wink built into the melodic line. The song carries a breeziness that masks emotional complexity, making it rewarding for performers who can balance surface charm with genuine character vulnerability.

Pianists and singers working through Broadway standards repertoire, particularly those preparing for auditions or recitals. This arrangement also serves teachers introducing students to the intersection of vocal jazz and musical theater styles.

• Pay attention to how the melody sits against the chord changes; this song rewards landing on strong beats with intention rather than rushing through passages.
• Experiment with the accompaniment texture. A sparse left hand emphasizes the storytelling quality, while fuller voicings bring out the theatrical side.
• The lyrical content invites conversational delivery. Avoid oversinging; let the character's personality emerge through inflection and timing rather than volume.

Slot this into a Broadway or standards showcase to add variety in tone and tempo. It pairs well alongside other mid-century musical theater selections, offering singers a chance to demonstrate comfort with theatrical idioms before moving into more dramatic material.

• Interpreting lead sheet notation and making independent accompaniment choices
• Balancing melodic phrasing with harmonic awareness
• Navigating the stylistic bridge between jazz standards and musical theater
• Character-driven vocal delivery within a fixed melodic framework